{"title":"从串故事到卫星:在文学和民间传说中对阿拉斯加原住民的描绘","authors":"C. J. Keim, Jack Bernet","doi":"10.1353/RMR.1973.0017","DOIUrl":null,"url":null,"abstract":"Mrs. Hana Kangas earned her B.Ed. degree at the University of Alaska in 1940, her M.Ed. in 1967. In the twenty-seven-year interim this half-Eskimo woman raised a family and taught school. She vividly recalls sitting on the floor of the family barabara in the Arctic and watching the Eskimo string storytellers. Weaving a loop of sinew or cord on their hands into various figures reminiscent of the cat's cradle familiar to American folkways, they told the traditional beliefs, practices, and tales of the Eskimo people as they made the string figures. Even today, other Eskimo students relate similar experiences of communication enhanced by figures drawn into the earth during the telling with story knives. Some of these knives are intricately carved ivory instruments several inches long, which have been passed down from one generation to the next. Other instruments are simply table knives or nails that will scratch a fairly legible illustration into the earth to help more fully communicate the narrator's story. At the same time they employ these ancient means of communication among a people whose language only now is being developed into written form, native Alaskan storytellers today practice their art and reach larger audiences than ever by means of satellite communication. Through the auspices of the Fairbanks North Star Borough Library, the studios of the Lfniversity of Alaska's KUAC-FM radio station and the ATS-I satellite each week broadcast tales contributed by native storytellers to villages virtually throughout the 586,400-square-mile state. Such activity, coupled with an accelerating movement to publish native folklore, gives solid assurance that this important twenty-five percent segment of Alaska's population will at last receive its proper literary due, which, in rum, will lead to further political and social recognition. More important these efforts enable natives to carry their heritage across the multi-cultural bridges to understanding. The native Alaskan deserves a new, more accurate \"image\" than that generally projected in the past, particularly from the Gold Rush era of 1898 to about the mid-1920s, by Anglo-American authors who did have a written language and printing processes at their disposal. The traditional stereotypes which usually emerge in the works of the known poets, short story writers, and novelists follow to a great degree the precedent set in the anonymously composed, widely published \"Kobuk Maiden,\" which portrays the Eskimo","PeriodicalId":344945,"journal":{"name":"Bulletin of the Rocky Mountain Modern Language Association","volume":"45 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1973-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From String Stories to Satellites: Portrayal of the Native Alaskan in Literature and Folklore\",\"authors\":\"C. J. Keim, Jack Bernet\",\"doi\":\"10.1353/RMR.1973.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mrs. Hana Kangas earned her B.Ed. degree at the University of Alaska in 1940, her M.Ed. in 1967. In the twenty-seven-year interim this half-Eskimo woman raised a family and taught school. She vividly recalls sitting on the floor of the family barabara in the Arctic and watching the Eskimo string storytellers. Weaving a loop of sinew or cord on their hands into various figures reminiscent of the cat's cradle familiar to American folkways, they told the traditional beliefs, practices, and tales of the Eskimo people as they made the string figures. Even today, other Eskimo students relate similar experiences of communication enhanced by figures drawn into the earth during the telling with story knives. Some of these knives are intricately carved ivory instruments several inches long, which have been passed down from one generation to the next. Other instruments are simply table knives or nails that will scratch a fairly legible illustration into the earth to help more fully communicate the narrator's story. At the same time they employ these ancient means of communication among a people whose language only now is being developed into written form, native Alaskan storytellers today practice their art and reach larger audiences than ever by means of satellite communication. Through the auspices of the Fairbanks North Star Borough Library, the studios of the Lfniversity of Alaska's KUAC-FM radio station and the ATS-I satellite each week broadcast tales contributed by native storytellers to villages virtually throughout the 586,400-square-mile state. Such activity, coupled with an accelerating movement to publish native folklore, gives solid assurance that this important twenty-five percent segment of Alaska's population will at last receive its proper literary due, which, in rum, will lead to further political and social recognition. More important these efforts enable natives to carry their heritage across the multi-cultural bridges to understanding. The native Alaskan deserves a new, more accurate \\\"image\\\" than that generally projected in the past, particularly from the Gold Rush era of 1898 to about the mid-1920s, by Anglo-American authors who did have a written language and printing processes at their disposal. The traditional stereotypes which usually emerge in the works of the known poets, short story writers, and novelists follow to a great degree the precedent set in the anonymously composed, widely published \\\"Kobuk Maiden,\\\" which portrays the Eskimo\",\"PeriodicalId\":344945,\"journal\":{\"name\":\"Bulletin of the Rocky Mountain Modern Language Association\",\"volume\":\"45 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1973-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Rocky Mountain Modern Language Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/RMR.1973.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Rocky Mountain Modern Language Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/RMR.1973.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From String Stories to Satellites: Portrayal of the Native Alaskan in Literature and Folklore
Mrs. Hana Kangas earned her B.Ed. degree at the University of Alaska in 1940, her M.Ed. in 1967. In the twenty-seven-year interim this half-Eskimo woman raised a family and taught school. She vividly recalls sitting on the floor of the family barabara in the Arctic and watching the Eskimo string storytellers. Weaving a loop of sinew or cord on their hands into various figures reminiscent of the cat's cradle familiar to American folkways, they told the traditional beliefs, practices, and tales of the Eskimo people as they made the string figures. Even today, other Eskimo students relate similar experiences of communication enhanced by figures drawn into the earth during the telling with story knives. Some of these knives are intricately carved ivory instruments several inches long, which have been passed down from one generation to the next. Other instruments are simply table knives or nails that will scratch a fairly legible illustration into the earth to help more fully communicate the narrator's story. At the same time they employ these ancient means of communication among a people whose language only now is being developed into written form, native Alaskan storytellers today practice their art and reach larger audiences than ever by means of satellite communication. Through the auspices of the Fairbanks North Star Borough Library, the studios of the Lfniversity of Alaska's KUAC-FM radio station and the ATS-I satellite each week broadcast tales contributed by native storytellers to villages virtually throughout the 586,400-square-mile state. Such activity, coupled with an accelerating movement to publish native folklore, gives solid assurance that this important twenty-five percent segment of Alaska's population will at last receive its proper literary due, which, in rum, will lead to further political and social recognition. More important these efforts enable natives to carry their heritage across the multi-cultural bridges to understanding. The native Alaskan deserves a new, more accurate "image" than that generally projected in the past, particularly from the Gold Rush era of 1898 to about the mid-1920s, by Anglo-American authors who did have a written language and printing processes at their disposal. The traditional stereotypes which usually emerge in the works of the known poets, short story writers, and novelists follow to a great degree the precedent set in the anonymously composed, widely published "Kobuk Maiden," which portrays the Eskimo