建筑体验的形体性

K. Voigt
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引用次数: 0

摘要

在《建筑体验的形体》一书中,Katharina Voigt探讨了对建筑空间的感知和探索所体现的知识。她强调化身、经验和感觉是研究的主要领域。建筑和人体的相互关系被描述为依赖于身体的认知方式和运动,作为与建筑的感官接触的途径。在当代舞蹈实践,尤其是萨沙·瓦尔兹的作品中,她将身体视为前反身性知识的档案、发生器和媒介,强调身体与空间的共鸣。她利用了基于身体的感官体验调查的潜力,当被明确地处理并被视为建筑感知和设计的一个组成部分时。(Uta格拉夫)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Corporeality of Architecture Experience
Editorial Summary In »Corporeality of Architecture Experience« Katharina Voigt examines the embodied knowledge in the perception and the exploration of architectural spaces. She highlights embodiment, experience, and sensation as primary fields of investigation. The interrelation of architecture and the human body is described as dependent on bodily ways of knowing and movement as access to sensory encounters with architecture. Relating to the practice of contemporary dance and particularly the work of Sasha Waltz, she regards the body as an archive, generator, and medium of pre-reflexive knowledge, emphasizing its resonance with the space. She exploits the potential which an investigation of the body-based, sensory experience holds when being explicitly addressed and regarded as an integrated part of both, the perception and the design of architecture. [Uta Graff]
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