再生神树:翟永明《第八天》对后人类伊甸园知识伦理生态系统的反思

J. Krenz, Christopher Lupke, Yanhong Zhu, Géraldine Fiss, Wenzhu Li, L. Velázquez-Velázquez, Fang-yu Li, Lishu Tang, Pu Wang, Tonglu Li, Géraldine Fiss, Frederik H. Green, Fangyuan Huang, S. Lu, Hu Yiju, H. Choy
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引用次数: 0

摘要

摘要:《第八天》出版于2009年,是圣经创世神话的诗意续作。翟志刚描绘了一幅后人类世界的图景,在这个世界里,“科学家取代了上帝”,继续用转基因物种、半机械人和类人生物在地球上繁衍。诗人邀请读者穿越到未来社会,用唐娜·哈拉威的话说,让他们反思新出现的“自然文化”的本体论、认识论、伦理等最基本的大问题,包括科学与宗教或物质、智力、意识、良心之间的关系等问题。这项研究揭示了这些重大问题,并在翟志玲的其他作品中寻找可能的答案,并调动了她的诗歌《第八天》所激发的文化背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Regrowing Divine Trees: Zhai Yongming's "The Eighth Day" as a Reflection on the Intellectual and Ethical Ecosystem of Posthuman Eden
Abstract:Published in 2009, "The Eighth Day" is a poetic sequel to the Biblical myth of creation. Zhai sketches a landscape of the posthuman world in which "scientists replaced God" and continue His work populating the earth with transgenic species, cyborgs, and humanoids. Inviting readers for time travel to a future society, the poet prompts them to reflect on the most fundamental big questions concerning ontology, epistemology, and ethics of the newly emergent "natureculture," to use Donna Haraway's term, including problems such as the relationship between science and religion or between matter, intelligence, consciousness, and conscience. This study unpacks these big questions and traces possible answers to them in other works from Zhai's oeuvre and beyond, mobilizing cultural contexts inspired by her poem "The Eighth Day."
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