{"title":"《恋爱时代》的解放潜力:20世纪90年代美国文化对青少年性行为和电视的恐慌反应","authors":"Elizabeth Crowley Webber","doi":"10.7560/VLT8405","DOIUrl":null,"url":null,"abstract":"abstract:Even before the teen-oriented serial Dawson’s Creek (The WB, 1997–2003) premiered, it drew widespread criticism for its mediation of teen sex. As the New York Post put it, the show was “an immoral exploitation of youthful curiosity about sex.” While Dawson’s Creek embraced a relatively permissive discourse on teen sexuality beyond what was sanctioned by the conservative politics of its time, the series’ depiction of sex actually adhered closely to hegemonic norms. Reading Dawson’s Creek in its circuit of culture—including TV Parental Guidelines, abstinence-only sex education, and the Kaiser Foundation’s 1996 Sex on TV study—this article argues that panicked reactions to the series resulted from a widespread belief in media effects and the series’ mere potential ability to offer young adults access to sexual knowledge.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"68 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Liberatory Potential of Dawson’s Creek: Panicked Reactions to Teen Sex and Television in 1990s US Culture\",\"authors\":\"Elizabeth Crowley Webber\",\"doi\":\"10.7560/VLT8405\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:Even before the teen-oriented serial Dawson’s Creek (The WB, 1997–2003) premiered, it drew widespread criticism for its mediation of teen sex. As the New York Post put it, the show was “an immoral exploitation of youthful curiosity about sex.” While Dawson’s Creek embraced a relatively permissive discourse on teen sexuality beyond what was sanctioned by the conservative politics of its time, the series’ depiction of sex actually adhered closely to hegemonic norms. Reading Dawson’s Creek in its circuit of culture—including TV Parental Guidelines, abstinence-only sex education, and the Kaiser Foundation’s 1996 Sex on TV study—this article argues that panicked reactions to the series resulted from a widespread belief in media effects and the series’ mere potential ability to offer young adults access to sexual knowledge.\",\"PeriodicalId\":335072,\"journal\":{\"name\":\"The Velvet Light Trap\",\"volume\":\"68 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Velvet Light Trap\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/VLT8405\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Velvet Light Trap","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/VLT8405","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
甚至在面向青少年的连续剧《恋爱时代》(Dawson 's Creek, WB, 1997-2003)首播之前,它就因对青少年性行为的调解而受到广泛批评。正如《纽约邮报》(New York Post)所说,这部剧“不道德地利用了年轻人对性的好奇心”。虽然《恋爱时代》对青少年性行为的论述相对宽松,超出了当时保守政治所认可的范围,但该剧对性的描述实际上与霸权规范密切相关。阅读《恋爱时代》的文化循环——包括电视家长指南、禁欲性教育和凯萨基金会1996年的《电视上的性》研究——这篇文章认为,对这部剧的恐慌反应是由于人们普遍相信媒体的影响,以及这部剧仅仅能给年轻人提供性知识的潜在能力。
The Liberatory Potential of Dawson’s Creek: Panicked Reactions to Teen Sex and Television in 1990s US Culture
abstract:Even before the teen-oriented serial Dawson’s Creek (The WB, 1997–2003) premiered, it drew widespread criticism for its mediation of teen sex. As the New York Post put it, the show was “an immoral exploitation of youthful curiosity about sex.” While Dawson’s Creek embraced a relatively permissive discourse on teen sexuality beyond what was sanctioned by the conservative politics of its time, the series’ depiction of sex actually adhered closely to hegemonic norms. Reading Dawson’s Creek in its circuit of culture—including TV Parental Guidelines, abstinence-only sex education, and the Kaiser Foundation’s 1996 Sex on TV study—this article argues that panicked reactions to the series resulted from a widespread belief in media effects and the series’ mere potential ability to offer young adults access to sexual knowledge.