芝加哥黑人舞蹈家训练的先驱

C. Semmes
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摘要

这一章考察了20世纪早期黑人芝加哥先锋舞蹈教练黑兹尔·汤普森·戴维斯的生活。从背景上看,美国社会广泛的现场娱乐场所的多样化创造了对训练有素的戏剧劳动力的巨大需求,其中各种各样的舞者是主要组成部分。到1916年,芝加哥的黑兹尔·汤普森·戴维斯开始通过她创建的学校和她训练的表演艺术家来满足这一需求。作为她所在领域的先驱和创新者,戴维斯开创的芝加哥舞蹈教学和表演传统将使芝加哥成为一股强大的力量,在国内和国际上指导非裔美国戏剧工作者,在全国黑人社区发生的更广泛的文化复兴中,在美国流行文化的演变中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Black Chicago Pioneers in the Training of Dancers
This chapter examines the life of pioneer dance instructor Hazel Thompson Davis in early twentieth-century Black Chicago. Contextually, diverse venues for live entertainment in the broad spectrum of American society created significant demand for a trained theatrical workforce, of which varieties of dancers were major components. By 1916, Chicago’s Hazel Thompson Davis began to meet this demand through the school she created and the performing artists she trained. A pioneer and innovator in her field, the Chicago tradition in dance instruction and performance initiated by Davis would make Chicago a powerful force in the instruction of an African American theatrical workforce nationally and internationally, in the broader cultural renaissance taking place in Black communities across the country, and in the evolution of American popular culture.
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