“你有一个白人的声音”:苏格兰的黑人

Joseph H. Jackson
{"title":"“你有一个白人的声音”:苏格兰的黑人","authors":"Joseph H. Jackson","doi":"10.3366/edinburgh/9781474461443.003.0003","DOIUrl":null,"url":null,"abstract":"Chapter 2 tracks the emergence of Black writers and a visible Black politics across Scottish literature in the ‘devolutionary moment’ following the referendum of 1979. The chapter proceeds chronologically, beginning with Wilson Harris’s Black Marsden (1972) as a model of Black Scottish writing, before working through the intellectual and literary context of Blackness in Scotland in the period. This history provides a two-fold excavation in order to show the under-recognised importance of Blackness in late twentieth-century Scottish writing. The first is of the significant work, particularly poetry and plays, of early Black Scottish writers Maud Sulter and Jackie Kay; and their relationship to national Scotland. The second is the expanding consciousness of Blackness both domestically and globally in the work of other Scottish writers such as Alasdair Gray, James Kelman, and Irvine Welsh.","PeriodicalId":123180,"journal":{"name":"Writing Black Scotland","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘You Got a White Voice’: Blackness in Devolutionary Scotland\",\"authors\":\"Joseph H. Jackson\",\"doi\":\"10.3366/edinburgh/9781474461443.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 2 tracks the emergence of Black writers and a visible Black politics across Scottish literature in the ‘devolutionary moment’ following the referendum of 1979. The chapter proceeds chronologically, beginning with Wilson Harris’s Black Marsden (1972) as a model of Black Scottish writing, before working through the intellectual and literary context of Blackness in Scotland in the period. This history provides a two-fold excavation in order to show the under-recognised importance of Blackness in late twentieth-century Scottish writing. The first is of the significant work, particularly poetry and plays, of early Black Scottish writers Maud Sulter and Jackie Kay; and their relationship to national Scotland. The second is the expanding consciousness of Blackness both domestically and globally in the work of other Scottish writers such as Alasdair Gray, James Kelman, and Irvine Welsh.\",\"PeriodicalId\":123180,\"journal\":{\"name\":\"Writing Black Scotland\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Writing Black Scotland\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461443.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Writing Black Scotland","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461443.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

第二章追溯了黑人作家的出现以及1979年公投后苏格兰文学中可见的黑人政治。本章按时间顺序进行,从威尔逊·哈里斯的《黑马斯登》(1972)作为苏格兰黑人写作的典范开始,然后通过这一时期苏格兰黑人的知识和文学背景进行研究。这段历史提供了一个双重挖掘,以显示20世纪晚期苏格兰写作中未被认识到的黑人的重要性。首先是早期苏格兰黑人作家莫德·苏尔特和杰基·凯的重要作品,尤其是诗歌和戏剧;以及他们与苏格兰民族的关系其次是在其他苏格兰作家的作品中,如阿拉斯代尔·格雷、詹姆斯·凯尔曼和欧文·威尔士,黑人意识在国内和全球范围内不断扩大。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘You Got a White Voice’: Blackness in Devolutionary Scotland
Chapter 2 tracks the emergence of Black writers and a visible Black politics across Scottish literature in the ‘devolutionary moment’ following the referendum of 1979. The chapter proceeds chronologically, beginning with Wilson Harris’s Black Marsden (1972) as a model of Black Scottish writing, before working through the intellectual and literary context of Blackness in Scotland in the period. This history provides a two-fold excavation in order to show the under-recognised importance of Blackness in late twentieth-century Scottish writing. The first is of the significant work, particularly poetry and plays, of early Black Scottish writers Maud Sulter and Jackie Kay; and their relationship to national Scotland. The second is the expanding consciousness of Blackness both domestically and globally in the work of other Scottish writers such as Alasdair Gray, James Kelman, and Irvine Welsh.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信