通过理解漫画来思考Covid:用以Covid为主题的漫画中的面板过渡来传达意义

Antonija Cavcic
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引用次数: 0

摘要

摘要:在2020年最初沉闷的封锁期间,纽约艺术学生联盟的插画家和教师公开征集漫画选集的作品,因为他们看到了隔离和大流行对学生造成的损失。最初是邀请艺术家通过漫画分享他们的个人流行病经历,《隔离生活》(2020年)很快成为来自世界各地的76位隔离艺术家展示他们作品的平台,也是通过漫画宣泄情绪的一种手段。在这些单页的提交中,有复杂而紧凑的图形叙述,这依赖于对小组惯例的仔细而有效的操纵。本文讨论了对本检疫期使用小组公约的分析结果。在此过程中,我将阐述在Scott McCloud的所有面板过渡中,非推论和方面到方面的面板过渡如何在严格的空间限制下有效地传达复杂的情感和意义。此外,我认为,选集中这些小组过渡的相对普遍反映了一种脆弱、断裂但高度沉思的心态,许多人在大流行早期的孤立和不确定时期都处于这种心态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contemplating Covid through Understanding Comics: Conveying Meaning with Panel Transitions in Covid-themed Comics
ABSTRACT:During the dreary initial lockdown in 2020, illustrators and instructors at the Arts Students League in New York put out an open call for submissions for a comics anthology as they could see the toll the quarantine and pandemic were having on their students. What started out as an invitation to artists to share their personal pandemic experiences through comics, This Quarantine Life (2020) soon became both a platform for seventy-six artists-in-quarantine from all over the world to showcase their work and a means of catharsis through comics. Within these single-page submissions were complex yet compact graphic narratives, which relied on careful and efficient manipulation of panel conventions. This article discusses the findings of an analysis of the use of panel conventions in This Quarantine Life. In doing so, I illustrate how among all of Scott McCloud's panel transitions, non-sequitur and aspect-to-aspect panel transitions can effectively convey complex emotions and meaning even within rigid space restrictions. Furthermore, I argue that the relative prevalence of these panel transitions in the anthology reflects a kind of fragile, fractured, yet highly contemplative frame of mind that many were in during periods of isolation and uncertainty in the early stages of the pandemic.
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