《Waljinah选歌》中爪哇女性形象的诠释学研究

Tri Murniati, Hendri Restuadhi, R. Handoyo
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引用次数: 1

摘要

. 本文探讨了Waljinah在60年代和70年代流行的歌曲Walang Kekek(蚱蜢),Resepsi(婚礼派对)和Lelo Ledung(摇篮曲)的歌词中对爪哇女性的刻画。它应用解释学的分析方法,使我们能够从书面文本中解开意义,比如歌词。因此,主要数据取自Waljinah所选的歌曲。次要资料来源于爪哇妇女与社会文献、爪哇歌曲以及歌曲流行时的社会背景。结果表明,所选歌曲表现了爪哇女性的积极、母性和独立性,显示了爪哇女性值得注意的特征,这支持了关于爪哇女性的故事不仅仅是失败一方的故事的论点。本文的结论是,所选歌曲确实提供了爪哇女性的形象,在我们看来,这些形象超越了她们流行的时代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Portrayal of Javanese Women in Waljinah’s Selected Songs: A Hermeneutics Study
. This article explores the portrayal of Javanese women in the lyrics of Waljinah’s selected songs which were popular in the 60s and 70s namely Walang Kekek (grasshopper), Resepsi (wedding party), and Lelo Ledung (lullaby). It applies hermeneutic method of analysis which enables us to unravel meanings from a written text, such as song lyrics. Therefore, the primary data were taken from Waljinah’s selected songs. The secondary data were taken from the literature on Javanese women and society, Javanese songs, and the sociological context when the songs were popular. The results show that the selected songs illustrate Javanese women as active, motherly, and independent indicating noteworthy traits of Javanese women which support the argument that stories on Javanese women are not only stories of the losing party. This article concludes that the selected songs do provide images on Javanese women which in our view, go beyond the era when they were popular.
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