建构的声音:大学生歌手的社会文化学习模式

Lotte Latukefu
{"title":"建构的声音:大学生歌手的社会文化学习模式","authors":"Lotte Latukefu","doi":"10.1375/AUV.13.1.8","DOIUrl":null,"url":null,"abstract":"This article reports on the design and development of a model of learning influenced by sociocultural theories for undergraduate singers. It draws on data collected from reflective journals written by students as well as the findings from a pilot study conducted in 2005 where the aim was to examine the response of students to a changing curriculum in which traditional 'bel canto' singing technique was taught in conjunction with spoken voice class. The participants in the study were undergraduate students studying performance in the Faculty of Creative Arts at the University of Wollongong. This paper reports on some of the themes emerging from the pilot study, which were presented by Nicholls-Gidley and Latukefu at the 7th Voice Symposium of Australia held in September of 2005 and provided the basis for further research by Latukefu into strategies students use to construct learning.","PeriodicalId":129585,"journal":{"name":"Australian Voice","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2007-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"The Constructed Voice: A Sociocultural Model of Learning for Undergraduate Singers\",\"authors\":\"Lotte Latukefu\",\"doi\":\"10.1375/AUV.13.1.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reports on the design and development of a model of learning influenced by sociocultural theories for undergraduate singers. It draws on data collected from reflective journals written by students as well as the findings from a pilot study conducted in 2005 where the aim was to examine the response of students to a changing curriculum in which traditional 'bel canto' singing technique was taught in conjunction with spoken voice class. The participants in the study were undergraduate students studying performance in the Faculty of Creative Arts at the University of Wollongong. This paper reports on some of the themes emerging from the pilot study, which were presented by Nicholls-Gidley and Latukefu at the 7th Voice Symposium of Australia held in September of 2005 and provided the basis for further research by Latukefu into strategies students use to construct learning.\",\"PeriodicalId\":129585,\"journal\":{\"name\":\"Australian Voice\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2007-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Australian Voice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1375/AUV.13.1.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Australian Voice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1375/AUV.13.1.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 4

摘要

本文报道了一个受社会文化理论影响的大学生歌手学习模式的设计与开发。它利用了从学生写的反思日志中收集的数据,以及2005年进行的一项试点研究的结果,该研究的目的是研究学生对课程变化的反应,在课程变化中,传统的“美声唱法”演唱技巧与口语课程相结合。这项研究的参与者是伍伦贡大学创意艺术学院学习表演的本科生。本文对Nicholls-Gidley和Latukefu在2005年9月举行的第七届澳大利亚语音研讨会上提出的初步研究中出现的一些主题进行了报道,为Latukefu进一步研究学生构建学习的策略提供了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Constructed Voice: A Sociocultural Model of Learning for Undergraduate Singers
This article reports on the design and development of a model of learning influenced by sociocultural theories for undergraduate singers. It draws on data collected from reflective journals written by students as well as the findings from a pilot study conducted in 2005 where the aim was to examine the response of students to a changing curriculum in which traditional 'bel canto' singing technique was taught in conjunction with spoken voice class. The participants in the study were undergraduate students studying performance in the Faculty of Creative Arts at the University of Wollongong. This paper reports on some of the themes emerging from the pilot study, which were presented by Nicholls-Gidley and Latukefu at the 7th Voice Symposium of Australia held in September of 2005 and provided the basis for further research by Latukefu into strategies students use to construct learning.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信