威尼斯的教堂:圣地还是博物馆?

Venelina Dali Saunders
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引用次数: 2

摘要

威尼斯的许多教堂因其艺术珍品而成为地标。他们增加的游客数量往往主要是为了观光,而不是参加宗教活动。因此,一些教堂采用了传译的方式来满足大众旅游的需求。该研究的目的是调查当前教堂现场解释的作用,并将它们与游客的感知和体验联系起来。评估依赖于定性方法,如案例研究、访客调查、现场观察和访谈。研究结果通过建构主义学习理论的框架进行分析。建构主义学习理论认为,人们在先前的知识基础上创造自己的意义。研究结果表明,现场解说方式为游客提供了通常与宗教场所无关的体验。这些教堂是作为旅游景点而不是神圣的场所来体验的,这种感觉显然与它们最初的目的相抵触。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Churches of Venice: Sacred Places or Museum Spaces?
Many churches in Venice have become landmarks due to their artistic treasures. Their increased volume of visitors often has a primary goal of sightseeing rather than participating in religious services. Consequently, some of the churches have employed interpretation methods to satisfy the demand of mass tourism. The aim of the study is to investigate the role of current on-site interpretations of the churches and relate them to the visitors’ perceptions and experiences. The evaluation relies on qualitative methods such as case studies, visitors’ surveys, site observations, and interviews. The results are analyzed through the framework of the constructivist-learning theory, which affirms that people create their own meanings based on previous knowledge. The findings demonstrate that the interpretive methods on-sites present the visitors with experiences not usually associated with religious sites. The churches are experienced as tourist attractions rather then sacred sites—a perception that clearly interferes with their original purpose.
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