设计在加强斯洛伐克南部地区特征方面的潜在贡献

Tomáš Páriš, V. Kotradyová
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摘要

本文讨论了斯洛伐克共和国地区文化特征消失的现象,并提出了可能的设计解决方案和策略,这些解决方案和策略可以积极影响公共空间的质量,激发和增加该地区的创新。在斯洛伐克的许多地区,文化特征的逐渐丧失是一个不幸但又非常普遍的现实。被研究的Hont和Novohrad地区也不例外:由于该地区的历史发展,这里的区域意识状况甚至更低。这些特定领土单位边界的频繁变化和流动性质进一步证明了这一点。本文认为,地域认同是有生命力的,但在一段时间内是不断变化的。身份受到各种自然和社会因素的影响,包括气候变化、人口老龄化等。然而,原始文化的真实性往往以上述变化为代价而受到压制。遗憾的是,在这种情况下,只有少数地区能够发展和维护自己的传统文化遗产。然而,在现代技术的帮助下,设计师能够利用创造性和系统的过程来积极发展地域文化。这一点可以通过各种外国组织和项目来说明,例如“布雷根策瓦尔德工程”。被调查的区域具有特定的设计语言,其特征是独特的形态和材料组成。虽然,为了揭示这些标志和该地区的身份,有必要与当地政府、当地居民和活跃的文化协会建立联系。以参与式设计的形式进行利益相关者的合作是将民间文化的现有元素复兴为具有地方文化特征的可持续形式的关键方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Potential contribution of design in strengthening the regional identity in Southern Slovakia
Abstract The article deals with the phenomenon of the disappearance of cultural identities of regions in the Slovak Republic and presents potential design solutions and strategies that can positively influence the quality of public space, inspire and increase innovation in the region. The gradual loss of cultural identity is an unfortunate but an all-too-common reality in many regions of Slovakia. The studied regions of Hont and Novohrad are no exception: here the situation of regional awareness is even lower as a result of the historical development of the area. This is further evidenced by the frequently changing and fluid nature of the boundaries of these specific territorial units. This paper argues that regional identity is alive but constantly changes over a period of time. Identity is affected by various natural and social factors, including climate changes, population aging, and others. Nevertheless, the authenticity of the original culture is often suppressed at the expense of the aforementioned changes. Sadly, only a few regions are able to develop and maintain their traditional cultural heritage under these conditions. However, with the assistance of modern technologies, designers are able to use creative and systematic processes for the positive development of regional culture. This can be illustrated by various foreign organisations and projects such as the Werkraum Bregenzerwald. The regions under investigation have a specific design language which is characterised by a unique morphology and material composition. Although, in order to reveal these signs and the very identity of the region, it is necessary to establish a contact with the local government, the local population and active cultural associations. The cooperation of interested parties in the form of participatory design is a key aspect in order to revive the existing elements of folk culture into a sustainable form with the character of local culture.
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