理解土耳其古典Makam:通过特征旋律识别调式

Adem Merter Birson, Ahmet Erdoğdular
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引用次数: 1

摘要

在土耳其古典音乐中,被称为“i-s”的特征旋律构成了中东调式系统makam的基本组成部分。自土耳其共和国(1923年)开始,土耳其音乐学家将makam系统改编为西方五线谱,并设计了一种基于音阶的音乐理论方法。这种现代方法虽然目前很普遍,但也有其局限性;特别是,makam音阶没有反映出对makam的习惯表达非常重要的特征旋律。出于这个原因,人们需要与经验丰富的音乐家进行更多的互动,以学习如何通过传统上被称为“me”的口头教学法来解读乐谱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding Turkish Classical Makam: Identifying Modes Through Characteristic Melodies
In Turkish classical music, characteristic melodies known as “çeşni-s” form essential building blocks in makam, the modal system of the Middle East. Since around the beginning of the Turkish Republic (1923), Turkish musicologists adapted the makam system for Western staff notation and devised an approach to music theory based on scales. This modern approach, while currently widespread, has its limitations; in particular, the makam scales do not reflect the characteristic melodies that are often so important to the idiomatic expression of makam. For this reason, one needs extended interaction with experienced musicians in order to learn how to interpret the scores, via an oral form of pedagogy traditionally known as “meşk.”
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