国际风格的前奏:1927年机器时代博览会

In Commons Pub Date : 1900-01-01 DOI:10.35483/acsa.am.111.31
K. Fan
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引用次数: 0

摘要

在20世纪20年代中后期,欧洲现代主义设计开始出现在纽约的画廊里。这些出现开始时相当偶然,但很快演变成一种轰动,并加入了美国本土现代主义作品。在这些展览中,1927年的机器时代博览会以其广泛的现代主义展品和强烈的主题而脱颖而出。本研究将机器时代展览置于历史的视角,追溯了机器时代展览的起源,考察了现代主义展览及其伴随的修辞,并回顾了展览的当代反应。该研究还调查了该事件的局限性,以及使机器时代博览会成为前国际风格时代在美国传播现代主义的最重要事件的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prelude to International Style: The 1927 Machine-Age Exposition
In the mid to late-1920s, European Modernist designs began to appear in New York galleries. These appearances started rather sporadically, but soon evolved into a sensation and were joined by American indigenous Modernist works. Among these displays, the Machine-Age Exposition of 1927 stood out with its wide coverage of Modernist exhibits and a strong theme. Placing the Machine-Age Exposition in historical perspective, this study traces the origins of the Machine-Age Exposition, examines the Modernist exhibits and their accompanying rhetoric, and reviews the contemporary responses of the show. The study also investigates the limitations of the event, as well as the constituents that established the Machine-Age Exposition as the most important event in disseminating Modernism in America in the pre-International Style era.
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