2005年以来美国黑人艺术的研究与想象

R. Powell
{"title":"2005年以来美国黑人艺术的研究与想象","authors":"R. Powell","doi":"10.4000/PERSPECTIVE.6043","DOIUrl":null,"url":null,"abstract":"One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...","PeriodicalId":231148,"journal":{"name":"Perspective Magazine","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Research and Imagine the American Black Art Since 2005\",\"authors\":\"R. Powell\",\"doi\":\"10.4000/PERSPECTIVE.6043\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...\",\"PeriodicalId\":231148,\"journal\":{\"name\":\"Perspective Magazine\",\"volume\":\"27 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspective Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/PERSPECTIVE.6043\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspective Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/PERSPECTIVE.6043","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

一百年前,作家、编辑和民权活动家弗里曼·亨利·莫里斯·默里出版了《美国雕塑中的解放和自由人》(1916),这是对艺术中非洲人后裔描绘的开创性研究。尽管默里的主要关注点是19世纪下半叶美国和欧洲一些著名雕塑家(即白人)创作的雕塑作品,但他的雕塑调查也包括了几位重要的非裔美国艺术家的作品……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research and Imagine the American Black Art Since 2005
One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信