{"title":"2005年以来美国黑人艺术的研究与想象","authors":"R. Powell","doi":"10.4000/PERSPECTIVE.6043","DOIUrl":null,"url":null,"abstract":"One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...","PeriodicalId":231148,"journal":{"name":"Perspective Magazine","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Research and Imagine the American Black Art Since 2005\",\"authors\":\"R. Powell\",\"doi\":\"10.4000/PERSPECTIVE.6043\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...\",\"PeriodicalId\":231148,\"journal\":{\"name\":\"Perspective Magazine\",\"volume\":\"27 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspective Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/PERSPECTIVE.6043\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspective Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/PERSPECTIVE.6043","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Research and Imagine the American Black Art Since 2005
One hundred years ago, author, editor and civil right activist Freeman Henry Morris Murray published Emancipation and the Freed in American Sculpture (1916), a pioneering study of the depictions of peoples of African descent in art. Although Murray’s primary focus was on figural works produced by some of the leading (i.e. white) American and European sculptors in the latter half of the nineteenth century, his sculptural survey also included works by several important African American artists ...