Sarah Dahle Hermanstad
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摘要

自从阿诺德·范·格内普在1909年提出阈限的概念以来,它已经被用于各种不同的语境和不同的主题。海滩特别与景观中的界限地带的概念有关,这是一个介于陆地和海洋之间的地方,也是人类行为和行为的边界。在这篇文章中,阈值的概念被用来理解沉船和打捞活动的作用,在18世纪和19世纪挪威Hitra和Froya岛的居民中。在理解沉船如何在不可预测的力量的影响下成为海岸景观的一部分时,阈限性是有用的。不仅是这艘船,而且打捞人员和海滩本身都经历了一次转变:一种有限的体验。这些体验可以是自发的,也可以是设计出来的,发生在你身上的事情,也可以是你对自己做的事情,但无论哪种方式,打捞都将成为阈限景观中阈限体验的结果。这次海难是在不可预测的环境中生活方式的象征。通过合法的打捞,或通过前海岸的沉船权,沉船可以成为一种可行的追索权,前海岸构成了海滩的一个单独区域。大自然的致命力量把船只变成了残骸,同时也是使生命成为可能的力量。换句话说,阈限和不可预测是沿海社区的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mellom vrak og strand
Ever since Arnold van Gennep introduced the concept of liminality in 1909, it has been used in a huge variety of different contexts and on different subjects. The beach has particularly been related to the idea of a liminal zone in the landscape, a place betwixt and between, concerning land and sea, but also on the border of human conduct and behavior. In this article the concept of liminality has been used to understand the role of shipwrecks and salvaging activities, among the inhabitants of the Norwegian islands of Hitra and Froya during the 18th and 19th centuries. Liminality can be useful in understanding how shipwrecks became a part of a coastal landscape shaped by unpredictable forces. Not only the ship, but the salvagers and the beach themselves all went  through a transformation: a liminal experience. These experiences could be spontaneous or devised, something that happened to you or something you did to yourself, but either way salvaging would become the result of liminal experiences in a liminal landscape. The shipwreck was the token of a way of living in an unpredictable environment. Shipwrecks could become a viable recourse through legal salvaging, or through the right of wreck on the foreshore, which constituted a separate area of the beach. The deadly force of nature that transformed ships to wrecks, was also the same life-bringing force that made life possible. The liminal and the unpredictable was in other words the very foundation of the coastal community.
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