{"title":"论《月饼娘子的复仇》的“奇葩嫁接”与“华丽花园”","authors":"Pamela J. Rader","doi":"10.1353/rmr.2022.0026","DOIUrl":null,"url":null,"abstract":"Abstract:Marilyn Chin's Revenge of the Mooncake Vixen, an innovative contemporary American text, acts as a kind of literary palimpsest that inspires an ecocritical lens. Drawing on Zapf's premise of how literature is compared to an ecological force, I examine the role of nature, specifically the magical real manifestations of the natural world, and how it might shed light on reading race as an ecological force.","PeriodicalId":278890,"journal":{"name":"Rocky Mountain Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The \\\"Strange Graft\\\" and \\\"Sumptuous Garden\\\" of Marilyn Chin's Revenge of the Mooncake Vixen\",\"authors\":\"Pamela J. Rader\",\"doi\":\"10.1353/rmr.2022.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Marilyn Chin's Revenge of the Mooncake Vixen, an innovative contemporary American text, acts as a kind of literary palimpsest that inspires an ecocritical lens. Drawing on Zapf's premise of how literature is compared to an ecological force, I examine the role of nature, specifically the magical real manifestations of the natural world, and how it might shed light on reading race as an ecological force.\",\"PeriodicalId\":278890,\"journal\":{\"name\":\"Rocky Mountain Review\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rocky Mountain Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/rmr.2022.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rocky Mountain Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/rmr.2022.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The "Strange Graft" and "Sumptuous Garden" of Marilyn Chin's Revenge of the Mooncake Vixen
Abstract:Marilyn Chin's Revenge of the Mooncake Vixen, an innovative contemporary American text, acts as a kind of literary palimpsest that inspires an ecocritical lens. Drawing on Zapf's premise of how literature is compared to an ecological force, I examine the role of nature, specifically the magical real manifestations of the natural world, and how it might shed light on reading race as an ecological force.