《拆弹部队》的电影语言

T. McSweeney
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引用次数: 0

摘要

这一章以一句题词开头:“你能用相机做些什么,让你觉得自己是参与者?”这句话摘自普利策奖得主记者克里斯·赫奇斯的著作《战争是赋予我们意义的力量》。它指出,这段题词被用在了《拆弹部队》的片头,被认为是电影的中心主题和隐喻之一。它还着眼于《拆弹部队》非常独特的电影风格,被描述为既参差不齐又疯狂。这一章讨论了《拆弹部队》是如何在约旦拍摄的,约旦西部与伊拉克接壤,与电影的主要背景巴格达有着非常相似的建筑。它分析了电影语言和叙事选择,从而理解威廉·詹姆斯作为一个男性英雄和果断的行动者的性格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Cinematic Language of The Hurt Locker
This chapter begins with an epigraph, “What can you do with the camera that makes you feel like you're a participant?”, which was taken from the Pulitzer Prize-winning journalist Chris Hedges' book War is a Force that Gives Us Meaning. It points out that the epigraph was used in the opening of The Hurt Locker and considered one of the film's central thematic motifs and metaphor. It also looks at The Hurt Locker's very particular cinematic style that is described as both jagged and frenetic. The chapter discusses how The Hurt Locker was filmed in Jordan, a country which borders Iraq to the west and has a very similar architecture to Baghdad where the film is primarily set. It analyzes the cinematic language and narrative choices that lead towards understanding the character of William James as a masculine hero and a decisive man of action.
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