求助于伊甸园:探寻纳博科夫亚当主题的根源

Christopher A. Link
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引用次数: 3

摘要

这篇文章考察了纳博科夫对圣经中伊甸园神话的广度和深度,以及其中许多引起共鸣的、相互关联的主题:神圣的创造、亚当式的人、天堂之爱、恶魔般的诱惑、流放和失落、记忆的持久、以及在这个世界或下一个世界重新获得伊甸园幸福的愿望。虽然主要关注纳博科夫的亚当和伊甸园主题的“根源”,因为它们出现在他早期的几首诗和短篇小说中,在自传《说话,记忆》和他的第一部小说《玛丽》中,这篇文章还更广泛地认为,失落的天堂的圣经神话(以及随后在后来的代表性艺术和文学中对这种圣经传统的回应)继续影响和影响着纳博科夫的整个写作生涯。尤其是在后来的杰作《洛丽塔》和《艾达》中。由于作者经常驳斥所有对其作品有“影响”的说法,本文的主要目的是建立和探索纳博科夫对圣经叙事和扩展传统(但丁、弥尔顿、马维尔等)的实质性理解,以及对圣经叙事和亚当堕落的持续互文依赖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recourse to Eden: Tracing the Roots of Nabokov’s Adamic Themes
This essay examines both the breadth and the depth of Nabokov's engagement with the biblical myth of Eden and its many resonant, interrelated themes: divine creation, Adamic man, paradisal love, diabolic temptation, exile and loss, the persistence of memory, and the desire to regain—either in this world or the next—one form or another of Edenic bliss. While focusing principally on the "roots" of Nabokov's Adamic and Edenic themes as they appear in several early poems and short stories, in the autobiography, Speak, Memory, and in his first novel, Mary, this essay also argues more broadly that the biblical myth of a lost paradise (and the subsequent echoes of this biblical tradition in later representational art and literature) continued to influence and inform Nabokov's writings significantly throughout his entire career, particularly in such later masterworks as Lolita and Ada. Since the author regularly dismissed all claims of "influence" upon his works, this essay aims chiefly at establishing and exploring, with fresh appreciation, Nabokov's substantial understanding of, and sustained intertextual reliance upon, biblical narrative and the extended tradition (Dante, Milton, Marvell, etc.) of Edenic paradise and Adamic fall.
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