克里奥尔文本亚文化中社会现实表现的意义(以俄罗斯音乐流派香颂为例)

E. Prilukova, D. Rakovsky
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引用次数: 0

摘要

介绍。当今世界的快速动态导致了它的复杂性和结构性。现实是由许多引用片段编织而成的,代表着一个人通过各种文本的棱镜创造和理解的拼贴画。不断变化的形式脱颖而出,因此存在着多种意义。世界的模型不断生成,用大量壮观的拟像代替了真实的现实。人们注意到,通过识别其转变的标志来寻找理解现实的方法,而理解成为了本体论的基础,也是20世纪最后25年和21世纪前25年意识的主导之一。亚文化的符号和符号由文化语境所决定,通过各种方式呈现,成为社会现实转型的标志之一。本研究的目的是展示全传播社会转型的标志。方法。伽达默尔的解释学方法和韩礼德的社会符号学提供了对社会转型的操作员-标记的意义进行编码/解码的方法框架。此外,在工作中还采用了类比法、分析法和综合法。将香颂作为一种克里奥尔化的文本进行研究的片段需要使用一种系统的方法。科学研究的新颖性。作者揭示了香颂作为一种克里奥尔文本的特殊性,并提出了亚文化作为社会现实转变的标志的理解,这表现为由于传播技术和技术而不断产生的克里奥尔文本的符号-符号形式。结果。社会现实转变的标志以克里奥尔文本的形式表现出来。其中所传播的内容充满了一个人,因此,他对内容的责任越来越大。基于解释学和语言学智力资本综合的符号学方法论,使我们有可能将它们视为人类符号-符号活动的产物,并对其内容进行解码。结论。人类存在的特殊性是由一个人在他周围世界的语言方面的存在所决定的——世界是由语言赋予的,这涉及到对世界的意义和理解的探索。思维与语言具有本体论上的联系:意义是通过语言手段来表达的。虽然社会现实转换的标记物的性质不同,但都是以文本的形式呈现和构成的,对其的理解是理解社会现实的途径之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Meanings of social reality representation in the subculture of a creolized text (as exemplified by the Russian musical genre of chanson)
Introduction. The rapid dynamics of the present world results in its complication and construction. Reality turns out to be woven from many quote fragments, representing a collage that a person creates and comprehends through the prism of various texts. Constantly transformable forms come to the fore and, as a result, there exists a plurality of meanings. Models of the world are continuously generated, replacing the actual reality with a multi- tude of spectacular simulacra. The search for ways to comprehend reality through the identification of markers of its transformations is noted, and under- standing becomes the basis of ontology and one of the dominants of consciousness in the last quarter of the 20th and first quarter of the 21st centuries. Signs and symbols of subculture, determined by the context of culture and presented by various means, become one of the markers of the social reality transformations. The purpose of the study is to show the markers of the transformation of the total communication society. Methods. Methodological framework is in G. Gadamer’s hermeneutic approach and the provi- sions of M. Halliday’s social semiotics to coding/de- coding the meanings of operators-markers of social transformations. In addition, other methods were used in the work - methods of analogy, analysis and synthesis. Fragments of the study devoted to the study of chanson as a creolized text required the use of a systematic method. Scientific novelty of the research. The authors re- vealed the specificity of the chanson as a creolized text and present understanding of the subculture as a marker of the social reality transformations, which is manifested by sign-symbolic forms of con- tinuously generated creolized texts, thanks to the technique and technologies of communication. Results. Markers of social reality transformations represent them in the format of creolized texts. What is broadcast in them is filled with a person and, consequently, his responsibility for their con- tent is growing. Semiotic methodology based on the synthesis of the intellectual capital of hermeneutics and linguistics makes it possible for us to consider them as a product of human sign-symbolic activity and decode the content. Conclusions. The specificity of human existence is determined by the existence of a person in the lin- guistic aspect of the world around him - the world is given by language, which involves the search for meaning and understanding of the world. Thinking and language are ontologically connected: mean- ing is expressed by linguistic means. Although the nature of the markers of social reality transforma- tions is different, nevertheless, it is presented and framed as a text, the understanding of which is one of the ways to comprehend social reality.
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