{"title":"芝加哥文学界与芝加哥黑人文艺复兴的兴起","authors":"Richard A. Courage","doi":"10.5406/j.ctv11cwb42.16","DOIUrl":null,"url":null,"abstract":"This chapter unearths the history of a literary circle formed in 1927 to publish a journal called Letters and foster appreciation of black literature. Its leader was Chicago Defender city editor Dewey Roscoe Jones, whose reviews in his weekly “Bookshelf” column established him as black Chicago’s premier literary critic and commentator on the Harlem Renaissance. Most participants in Letters were university students, but they were joined by several older writers, including poets Fenton Johnson and W. H. A. Moore. Future Black Chicago Renaissance luminaries Richard Wright and Frank Marshall Davis visited occasionally but felt unwelcome. Recovering this missing link in cultural history deepens scholarly understanding of the New Negro movement beyond 1920s Harlem and of early evolution of an African American literary tradition in Chicago.","PeriodicalId":439958,"journal":{"name":"Roots of the Black Chicago Renaissance","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chicago’s Letters Group and the Emergence of the Black Chicago Renaissance\",\"authors\":\"Richard A. Courage\",\"doi\":\"10.5406/j.ctv11cwb42.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter unearths the history of a literary circle formed in 1927 to publish a journal called Letters and foster appreciation of black literature. Its leader was Chicago Defender city editor Dewey Roscoe Jones, whose reviews in his weekly “Bookshelf” column established him as black Chicago’s premier literary critic and commentator on the Harlem Renaissance. Most participants in Letters were university students, but they were joined by several older writers, including poets Fenton Johnson and W. H. A. Moore. Future Black Chicago Renaissance luminaries Richard Wright and Frank Marshall Davis visited occasionally but felt unwelcome. Recovering this missing link in cultural history deepens scholarly understanding of the New Negro movement beyond 1920s Harlem and of early evolution of an African American literary tradition in Chicago.\",\"PeriodicalId\":439958,\"journal\":{\"name\":\"Roots of the Black Chicago Renaissance\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Roots of the Black Chicago Renaissance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/j.ctv11cwb42.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roots of the Black Chicago Renaissance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/j.ctv11cwb42.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一章揭示了一个文学圈的历史,这个文学圈成立于1927年,目的是出版一本名为Letters的杂志,培养对黑人文学的欣赏。它的领导者是《芝加哥卫士》城市编辑杜威·罗斯科·琼斯,他在每周的“书架”专栏中的评论使他成为芝加哥黑人文学评论家和哈莱姆文艺复兴的评论员。《书信》的参与者大多是大学生,但也有几位年纪较大的作家加入,包括诗人芬顿·约翰逊(Fenton Johnson)和w·h·a·摩尔(W. H. A. Moore)。后来芝加哥黑人文艺复兴时期的杰出人物理查德·赖特和弗兰克·马歇尔·戴维斯偶尔来访,但感到不受欢迎。恢复文化史上缺失的这一环节加深了对20世纪20年代哈莱姆之后的新黑人运动以及芝加哥非裔美国文学传统早期演变的学术理解。
Chicago’s Letters Group and the Emergence of the Black Chicago Renaissance
This chapter unearths the history of a literary circle formed in 1927 to publish a journal called Letters and foster appreciation of black literature. Its leader was Chicago Defender city editor Dewey Roscoe Jones, whose reviews in his weekly “Bookshelf” column established him as black Chicago’s premier literary critic and commentator on the Harlem Renaissance. Most participants in Letters were university students, but they were joined by several older writers, including poets Fenton Johnson and W. H. A. Moore. Future Black Chicago Renaissance luminaries Richard Wright and Frank Marshall Davis visited occasionally but felt unwelcome. Recovering this missing link in cultural history deepens scholarly understanding of the New Negro movement beyond 1920s Harlem and of early evolution of an African American literary tradition in Chicago.