服装、化妆、道具与表演空间的技术美学在Idoma传统表演剧场中的应用

A. Amali
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引用次数: 0

摘要

在非洲,尽管出现了现代化,但传统表演仍被珍视和尊崇。这些表演具有生死的严肃性,因为它们体现了人们的文化、信仰、生命和死后的生活。因此,这些表演往往伴随着音乐、舞蹈、歌曲、假面舞会等,以实现和融合他们的肉体和精神世界。因此,利用服装、化妆、道具、表演空间等技术手段来建立表演,并将表演中的信息、意义和美学表现出来。该研究采用描述性和分析性方法,并辅以书籍、期刊文章和适当的互联网资源。研究发现,技术美学定义了表演,展现了表演的美,确立了伊多玛的文化认同。服饰、化妆、道具、表演空间的技术美学在Idoma文化中创造了交流与认同。因此,我们建议应鼓励和维持传统表演,以团结和维护人民的身份,将其作为Idoma人民的文化声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Application of Technical Aesthetics of Costume, Make-up, Props and Performance Space in Idoma Traditional Performance Theatre
Traditional performances in Africa are cherished and honoured with divinity despite the advent of modernity. These performances are taken with the seriousness of life and death because they embody the people’s culture, beliefs, life and life after death. Consequently, these performances are often accompanied by music, dance, songs, masquerades and so on to actualise and merge their corporal and spiritual cosmos. Therefore, the technicality of costume, make-up, props, performance space and so on are harnessed and utilised to establish the performance and to bring out the message, meaning and aesthetics in the performances. The study employs descriptive and analytical methods, complemented with materials from books, journal articles and appropriate internet sources. Findings reveal that technical aesthetics defines the performance, brings out its beauty and establishes the Idoma cultural identity. The paper concludes that technical aesthetics of costume, make-up, props and performance space create communication and identity in Idoma culture. We, therefore, recommend that traditional performances should be encouraged and sustained to unite and maintain the people’s identity, using it as a cultural voice for the Idoma people.
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