约翰内斯·开普勒、伽利略·伽利莱、罗伯特·弗洛德、佐丹奴·布鲁诺和尼古拉斯·哥白尼:缺席“幸福地球”和宇宙无垠的争论

A. Kuzmin
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摘要

哥白尼(Nicolaus Copernicus)的《De Revolutionibus Orbium Coelestium》(1543 年)和焦尔达诺-布鲁诺(Giordano Bruno)的《De l'infinito, universo e mondi》(1584 年)中的观点创造了新的日心宇宙形象。布鲁诺第一个打破了亚里士多德的球体理论,提出了大量论据,否定了球体的存在,并验证了无限空间。约翰内斯-开普勒(Johannes Kepler)在处理无限宇宙模型时更为谨慎,这主要是因为他自己的理论中存在矛盾,这在他的《宇宙的奥秘》(Prodromus dissertationum cosmographicarum, continens Mysterium cosmographicum de admirabili proportione orbium coelestium: deque causis coelorum numeri, magnitudinisy motuumque periodiconim genuinis et propriis, demonstratum per quinque regularia corpora Geometrica)(1596 年)中有所表述。另一方面,伽利略-伽利莱支持无限宇宙的观点,并描述了证明这一观点的方法,尽管由于缺乏足够的望远镜观测而无法验证。与此同时,罗伯特-弗劳德(Robert Fludd)提出了一个完全不同的创世阶段概念,综合了早期的古代宇宙学思想和《圣经》中的世界观,从而预示了二十世纪上半叶的宇宙学模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Johannes Kepler, Galileo Galilei, Robert Fludd, Giordano Bruno and Nicolaus Copernicus: in absentia arguments on ‘happy Earths’ and the infinity of the cosmos
The ideas within Nicolaus Copernicus’ De Revolutionibus Orbium Coelestium (1543) and Giordano Bruno’s De l’infinito, universo e mondi (1584) created a new heliocentric image of the universe.1 The concept of an infinite space without limits was beginning to appear in astronomy. Bruno was the first to break Aristotle’s sphere, producing a mass of arguments disclaiming its presence and verifying infinite space. Johannes Kepler was more careful in his treatment of the model of an infinite cosmos, mainly because of the contradictions in his own theory as expressed in his Mysterium cosmographicum (Prodromus dissertationum cosmographicarum, continens Mysterium cosmographicum de admirabili proportione orbium coelestium: deque causis coelorum numeri, magnitudinisy motuumque periodiconim genuinis et propriis, demonstratum per quinque regularia corpora Geometrica) (1596). Galileo Galilei, on the other hand, supported the idea of an infinite cosmos, describing ways in which to prove it, although it could not be verified because of a lack of adequate telescope observations. At the same time, Robert Fludd developed a radically different concept of the stages of creation, synthesising earlier ancient cosmological ideas and the biblical world outlook, and thus anticipating cosmological models of the first half of the twentieth century.
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