{"title":"另一种自然垄断的潜在消亡:新技术与表演权管理","authors":"Ariel Katz","doi":"10.1093/JOCLEC/NHL010","DOIUrl":null,"url":null,"abstract":"This is a second in of two articles in which I challenge the collective administration of performing rights. In the first article, published in a recent issue of this journal, I questioned the natural monopoly paradigm that dominates the analysis of collective administration of performing rights. In this article I demonstrate how, by lowering many of the transaction costs which previously purported to justify the practice, new digital technologies further undermine the justification for collective administration. I also discuss whether market forces alone would transform the market into a competitive one, consider possible continuing roles for existing Performing Rights Organizations, and compare the Canadian and the US regulatory approaches to determine how conducive they are to such change.","PeriodicalId":370614,"journal":{"name":"LSN: Canadian Law - Public Law (Topic)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2006-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"32","resultStr":"{\"title\":\"The Potential Demise of Another Natural Monopoly: New Technologies and the Administration of Performing Rights\",\"authors\":\"Ariel Katz\",\"doi\":\"10.1093/JOCLEC/NHL010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This is a second in of two articles in which I challenge the collective administration of performing rights. In the first article, published in a recent issue of this journal, I questioned the natural monopoly paradigm that dominates the analysis of collective administration of performing rights. In this article I demonstrate how, by lowering many of the transaction costs which previously purported to justify the practice, new digital technologies further undermine the justification for collective administration. I also discuss whether market forces alone would transform the market into a competitive one, consider possible continuing roles for existing Performing Rights Organizations, and compare the Canadian and the US regulatory approaches to determine how conducive they are to such change.\",\"PeriodicalId\":370614,\"journal\":{\"name\":\"LSN: Canadian Law - Public Law (Topic)\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2006-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"32\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LSN: Canadian Law - Public Law (Topic)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/JOCLEC/NHL010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LSN: Canadian Law - Public Law (Topic)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/JOCLEC/NHL010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Potential Demise of Another Natural Monopoly: New Technologies and the Administration of Performing Rights
This is a second in of two articles in which I challenge the collective administration of performing rights. In the first article, published in a recent issue of this journal, I questioned the natural monopoly paradigm that dominates the analysis of collective administration of performing rights. In this article I demonstrate how, by lowering many of the transaction costs which previously purported to justify the practice, new digital technologies further undermine the justification for collective administration. I also discuss whether market forces alone would transform the market into a competitive one, consider possible continuing roles for existing Performing Rights Organizations, and compare the Canadian and the US regulatory approaches to determine how conducive they are to such change.