中非法语国家的流行文化

B. Jewsiewicki, Katrien Pype
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引用次数: 1

摘要

在比属刚果,殖民当局,如国家官员和传教士,严格监控城市人口的休闲活动。后者逐渐建立了自己的娱乐和交流领域,并挪用了提供给殖民地臣民的流行文化。比尔运动就是一个例子,这是一种由美国西部电影启发,在殖民时期的金沙萨(当时的拉马波德维尔)发展起来的男子气概。当地流行文化的发展发生在当地语言中,除此之外,还导致了伦巴和马林加等混合音乐和舞蹈形式的出现,这些音乐和舞蹈形式为乡镇和采矿营地设定了曲调。当地生产的音乐风格逐渐成为寻求政治独立的重要载体。可以说,在讲法语的中非,流行文化滋养了反殖民主义的情绪和表达。后殖民时期的领导人也在音乐和大众媒体上投入了大量资金。也许最著名的是蒙博托的动画政治,它发生在林加拉,旨在颂扬这位领导人,巩固民族感情。这一宣传方案以民族丰富的文化遗产为灵感,依托群众活动和大众传媒。在卡加梅种族灭绝后的卢旺达,民间舞蹈仍然是巩固民族凝聚力的重要技术。自20世纪90年代中期以来,随着民族国家放松对媒体的管制,新的广播和电视企业家出现了,他们用新的风格和流派滋养了当地的流行文化。特别是,尼日利亚的瑙莱坞电影前往中非。这发生在五旬节派-灵恩派基督教日益流行之后,它产生了蓬勃发展的福音文化。社会的数字化,尤其是WhatsApp和Facebook等社交媒体平台,改变了人们与海外侨民的联系方式,催生了新的社交群体,如喀麦隆城市的Yoyettes,并影响了人们检索和分享信息的方式,以及他们与领导人互动的方式。然后,这些为表达和调解公民身份和亲属关系提供了另一种途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Popular Culture in Francophone Central Africa
In the Belgian Congo, colonial authorities such as state officials and missionaries strongly monitored the leisure activities of the urban population. The latter gradually managed to set up their own sphere of entertainment and communication, and appropriated the popular culture offered to the colonial subjects. An example in case is the Bills movement, a type of masculinity developed in colonial Kinshasa (then Léopoldville), and inspired by American western films. The development of local popular cultures happened in local languages, and, among other things, led to hybrid music and dance forms such as rumba and maringa which set the tune of the townships and mining camps. Locally produced musical styles gradually became important vectors in the search for political independence. One can argue that in Francophone Central Africa, popular culture nourished anticolonial sentiment and expression. Postcolonial leaders invested heavily in music and mass media as well. Probably best known is Mobutu’s politics of animation, which happened in Lingala, and served to glorify the leader and to cement national sentiment. This propaganda program was inspired by the rich cultural heritage of ethnic groups, and relied on mass events and mass media. In Kagame’s post-genocide Rwanda, folkloric dance remains an important technology to solidify national cohesion. Since the mid-1990s, as nation states deregulated their media, new radio and television entrepreneurs appeared, and they nourished local popular culture with new styles and genres. In particular, the Nigerian Nollywood films traveled to Central Africa. This happened in the wake of the increased popularity of Pentecostal-Charismatic Christianity, which has generated a thriving gospel culture. The digitalization of society, especially social media platforms such as WhatsApp and Facebook, transformed how people relate to others in the diaspora, spawned new social groups, such as Yoyettes in urban Cameroon, and had an impact on the ways in which people retrieve and share information, as well as how they engage with their leaders. These then provide alternative avenues for expressing and mediating citizenship and kinship.
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