{"title":"基于感知的音频编码位分配算法","authors":"S. Voran","doi":"10.1109/ASPAA.1997.625586","DOIUrl":null,"url":null,"abstract":"We describe six algorithms for bit-allocation in audio coding. Each algorithm stems from the minimization of a different perceptually-motivated objective function. Three of these objective functions are extensions of existing ones, and three are new. Closed-form bit-allocation equations result in five cases, and an iterative approach is required in the sixth.","PeriodicalId":347087,"journal":{"name":"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1997-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"Perception-based bit-allocation algorithms for audio coding\",\"authors\":\"S. Voran\",\"doi\":\"10.1109/ASPAA.1997.625586\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"We describe six algorithms for bit-allocation in audio coding. Each algorithm stems from the minimization of a different perceptually-motivated objective function. Three of these objective functions are extensions of existing ones, and three are new. Closed-form bit-allocation equations result in five cases, and an iterative approach is required in the sixth.\",\"PeriodicalId\":347087,\"journal\":{\"name\":\"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1997-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/ASPAA.1997.625586\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ASPAA.1997.625586","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Perception-based bit-allocation algorithms for audio coding
We describe six algorithms for bit-allocation in audio coding. Each algorithm stems from the minimization of a different perceptually-motivated objective function. Three of these objective functions are extensions of existing ones, and three are new. Closed-form bit-allocation equations result in five cases, and an iterative approach is required in the sixth.