结论

Daniel Jolowicz
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引用次数: 0

摘要

结论部分对本专著所追求的问题提供了一些最后的思考,即希腊小说家与拉丁诗歌的接触,以及这对我们如何在帝国时期建立希腊罗马关系的模型意味着什么。它总结了第1-7章的发现,并将它们并排放在一起,以澄清不同的小说家如何处理拉丁文学制度。至少对于上述三位作者(查里顿、阿喀琉斯·塔提乌斯、朗古斯)来说,研究拉丁诗歌的方法是系统的,而不是零敲碎打的。对拉丁诗歌的典故通常是好玩的,偶尔也是意识形态的和潜在的颠覆性的(例如,朗古斯和埃涅伊德)。结论还指出了希腊帝国与拉丁文学接触的社会学问题:据认为,公元前两个世纪的希腊文学家习惯于确保希腊文学系统保持原状的做法。不公开承认拉丁诗歌传统的存在是控制文学体系的一种方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conclusion
The conclusion offers some final thoughts on the question pursued in this monograph, namely the Greek novelists’ engagement with Latin poetry, and what this means for how we model Graeco-Roman relations in the imperial period. It summarizes the findings of Chapters 1–7 and places them side by side in a way that clarifies how the different novelists approach the institution of Latin literature. At least for the three authors in question (Chariton, Achilles Tatius, Longus), the approach to Latin poetry is systematic rather than piecemeal. Allusion to Latin poetry is often playful, and occasionally ideological and potentially subversive (for example, Longus and the Aeneid). The conclusion also addresses the sociological problem of Greek imperial engagement with Latin literature: Greek literary men of the first two centuries CE were, it is suggested, habituated to practices that ensured the preservation of the Greek literary system as it stood. Failure to acknowledge the existence of a Latin poetic tradition in an overt manner served as one way of controlling the literary system.
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