{"title":"视觉艺术","authors":"A. Marr","doi":"10.1017/9781316137062.p06","DOIUrl":null,"url":null,"abstract":"[The Elizabethan and Jacobean periodl is admittedly a bleak one; an iron age sandwiched between two golden ages ofEnglish renaissance culture, the reigns of Henry VIII and Charles 1. ... Its chiefglory lies in the evolution ofan isolated, strange, exotic and anti-naturalistic style which is more akin to the aesthelic of Byzantine art ... than the art of renaissance Italy. Indeed it is essential to approach Elizabethan painting in this way [,] otherwise it will never seem more than primitive provincial hack work, a remote, archaic style distantly derived from the great masters of the Italian high renaissance. (Strong, Icon 1)","PeriodicalId":371749,"journal":{"name":"The Cambridge Guide to the Worlds of Shakespeare","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Visual Arts\",\"authors\":\"A. Marr\",\"doi\":\"10.1017/9781316137062.p06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"[The Elizabethan and Jacobean periodl is admittedly a bleak one; an iron age sandwiched between two golden ages ofEnglish renaissance culture, the reigns of Henry VIII and Charles 1. ... Its chiefglory lies in the evolution ofan isolated, strange, exotic and anti-naturalistic style which is more akin to the aesthelic of Byzantine art ... than the art of renaissance Italy. Indeed it is essential to approach Elizabethan painting in this way [,] otherwise it will never seem more than primitive provincial hack work, a remote, archaic style distantly derived from the great masters of the Italian high renaissance. (Strong, Icon 1)\",\"PeriodicalId\":371749,\"journal\":{\"name\":\"The Cambridge Guide to the Worlds of Shakespeare\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cambridge Guide to the Worlds of Shakespeare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/9781316137062.p06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cambridge Guide to the Worlds of Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781316137062.p06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
[The Elizabethan and Jacobean periodl is admittedly a bleak one; an iron age sandwiched between two golden ages ofEnglish renaissance culture, the reigns of Henry VIII and Charles 1. ... Its chiefglory lies in the evolution ofan isolated, strange, exotic and anti-naturalistic style which is more akin to the aesthelic of Byzantine art ... than the art of renaissance Italy. Indeed it is essential to approach Elizabethan painting in this way [,] otherwise it will never seem more than primitive provincial hack work, a remote, archaic style distantly derived from the great masters of the Italian high renaissance. (Strong, Icon 1)
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
