在对艺术形象的感知方面对形象的风格化和改造

K. Parukava
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引用次数: 0

摘要

文章讨论了主题的几个方面,如风格化和转型的概念,风格化与美术风格的概念的关系,以及它对艺术形象感知的影响。探讨了艺术形象的风格化对视觉和情感感知的直接影响。这篇文章的主题是分析风格化的方法和技术,对艺术形象的感知工作。研究的目的是了解被描绘对象风格化的方式和技巧,通过艺术的表现手段,在被感知的内容中能够创造出更具情感和表现力的艺术形象。根据对周围现实的改造程度,笔者将风格化方法划分为形象法、几何法、基于符号的风格化方法和抽象的风格化方法。基于一种特定的艺术材料,通过分析,可以确定每种风格化方法对艺术形象的感知特点。由于艺术形象的更大表现力的成就,对观众的感知工作的风格化技术是确定的。作者强调要通过风格化和转换,使艺术形象具有更多的表现力和独创性,这在艺术作品的结构中是体现艺术思想的主要手段,是完成既定构图任务的一个组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stylization and transformation of an image in the aspect of perception of an artistic image
The article discusses such aspects of the topic as the concept of stylization and transformation, the relationship of stylization with the concept of style in fine art, as well as its impact on the perception of an artistic image. The question of visual and emotional perception is touched upon, which are directly influenced by a stylized artistic image. The subject of the article is the analysis of stylization methods and techniques that work on the perception of an artistic image. The aim of the research is to comprehend the ways and techniques of stylization of the depicted object, through artistic means of expression, which in the perceived content are able to create a more emotional and expressive artistic image. Depending on the degree of transformation of the surrounding reality, the author identified such stylization methods as the iconic method, the geometric method, symbol-based stylization and the abstract method of stylization. Based on a specific artistic material, the analysis made it possible to identify the peculiarities of the perception of an artistic image with each method of stylization. Stylization techniques that work on the perception of the viewer, due to the achievement of greater expressiveness of the artistic image, are determined. The author emphasizes the need to use stylization and transformation to endow an artistic image with increased expression and originality, which in the structure of an artistic work are the main means of reflecting an artistic idea and an integral part in the performance of the set compositional tasks.
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