审美情境管理的数字化和虚拟化:COVID-19大流行期间的波兰音乐艺术创作者

M. Szostak
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引用次数: 1

摘要

摘要目的:音乐艺术创作过程的特征取决于音乐艺术审美情境发生的形式(传统的面对面或虚拟的数字解决方案),这取决于音乐艺术创作者的国籍:波兰人还是非波兰人。以下研究问题被问到:1)在波兰和非波兰音乐艺术创作者之间的审美情况下,强制虚拟化和数字化如何影响创作过程的质量?2)在波兰和非波兰音乐艺术创作者眼中,在与创作过程虚拟化相关的过程中,审美情境的哪些定性参数丢失了,哪些获得了?方法:定性的,以文献回顾和访谈的形式。研究发现:该研究揭示了波兰和非波兰音乐艺术创作者在传统和虚拟创作过程中的差异。一般的差异是微不足道的;然而,某些组成部分与基本差异有关。增值:一种基于传统和虚拟形式的审美情境的音乐艺术创作过程的新方法。本研究对音乐艺术创作者形成对创作过程的感知具有现实意义;2)音乐艺术管理者对其所管理的音乐艺术群体创作过程的复杂性形成认知;3)音乐艺术机构管理者形成他们对参与他们管理的机构的音乐艺术创作者创作过程的多面性的感知;寻求对音乐艺术创作过程更深入理解的社会学家。建议:研究的视角可以是基于本文所发明的方法论的大规模研究,也可以是更集中的研究,根据年龄、性别或艺术经验的程度,对不同国家、地区和文化的艺术创作者进行调查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Digitalisation and Virtualisation of the Aesthetic Situation Management: Polish Musical Art Creators during the COVID-19 Pandemic
Abstract Objective: The characteristics of the creative process in musical arts depends on the form in which the aesthetic situation concerning musical arts takes place (traditional in-person or virtual with digital solutions) dangling on the nationality of the musical art creator: Polish versus non-Polish. The following research questions were asked: 1) How do the forced virtualisation and digitisation affect the quality of the creative process within the aesthetic situation between Polish and non-Polish musical art creators? 2) Which qualitative parameters of the aesthetic situation are lost and which are gained in connection with the creative process virtualisation in the eyes of Polish and non-Polish musical art creators? Methodology: Qualitative, in the forms of literature review and interviews. Findings: The study reveals differences in the traditional and virtual creative process between Polish and non-Polish musical art creators. The general differences are insignificant; however, particular components are concerned with essential discrepancies. Value Added: A new approach to the creative process in musical arts depending on the traditional and virtualised forms of the aesthetic situation. This study can have practical implications for: 1) musical art creators to form their perception of the creative process; 2) musical art managers to form their perception of the complex nature of the creative process of musical art groups they manage; 3) musical art institution managers to form their perception of the multifaceted nature of the creative process of musical art creators involved in the institutions they manage; 4) sociologists looking for deeper understanding of the creative process in musical arts. Recommendations: Perspectives of the research can be large-scale research based on the methodology invented for this paper and more focused research investigating art creators from different countries, regions, and cultures, divided by age, gender or the extent of artistic experience.
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