寻找“旧机会”

B. Lupack
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引用次数: 0

摘要

本章详述了泰德·沃顿是如何进入娱乐圈的。特德早年在舞台上和幕后度过的时光给了他一个宝贵的机会,让他了解了娱乐行业的各个方面,尤其是情节剧的表演和制作。他们还教会了他技术和即兴表演的技巧,这对他从杂耍表演和合法的舞台表演毕业到导演电影短片和制作连续剧很有帮助,特别是因为他在开发惯例和设备时经常进行实验,这些惯例和设备将成为后来电影和电视的主要内容。泰德对电影行业的兴趣在他参观曼哈顿的爱迪生工作室后进一步激起,之后,他开始自己写剧本,显示出他在这方面的天赋。随后,他加入path frires,协助其美国工作室的开业,并担任其导演。在1911年末或1912年初,泰德决定离开公司,去另一家工作室寻找更好的机会:Essanay。这一章接着看了泰德为埃萨内创作的主题和技术上最复杂的短片《来自水下》(1912),这部短片现在被认为是无声电影的杰作之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seeking “Old Opportunity”
This chapter details how Ted Wharton got into the entertainment business. The early years that Ted spent on and behind the stage gave him an invaluable introduction to virtually all aspects of the entertainment industry, especially to the performance and production of melodrama. They also taught him the technical and improvisational skills that would serve him well as he graduated from vaudeville performance and legitimate stage acting to direction of film shorts and production of serials, particularly since he was often experimenting as he developed the conventions and devices that would become staples of later cinema and television. Ted's interest in the motion picture industry was further aroused by his visits to the old Edison Studios in Manhattan, after which, on his own, he began writing screenplays that revealed his aptitude for the craft. He then joined Pathé Frères to assist in the opening of its American studio and then to serve as its director. In late 1911 or early 1912, Ted decided to leave the company for a better opportunity at another studio: Essanay. The chapter then looks at Ted's most thematically and technically sophisticated short for Essanay, From the Submerged (1912), which is now considered one of the masterpieces of silent film.
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