使用节奏和音高特征的语音引导模式识别

Christoph Finkensiep, Ken Déguernel, M. Neuwirth, M. Rohrmeier
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引用次数: 1

摘要

音乐图式构成了跨历史风格和时期使用的重要结构模块。它们由两条或两条以上的旋律线组成,这些旋律线组合在一起形成特定的音程序列。本文研究了复调音乐中引音图式的识别问题。由于模式类型和子类型可以在音乐表面上以各种各样的方式实现,因此以自动化的方式查找模式是一项具有挑战性的任务。为了进行模式推断,我们使用了一个skipgram模型来计算模式候选,然后使用与音高和节奏相关的音乐特征的二元分类器对其进行分类。该模型是在由专家注释者制作的莫扎特钢琴奏鸣曲的模式注释的新数据集上进行评估的,该数据集与本文一起发表。选择这些特征来编码模式实例的音乐理论预测属性。我们评估了分类任务中每个特征的相关性,从而有助于对复杂音乐对象的理论理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Voice-Leading Schema Recognition Using Rhythm and Pitch Features
Musical schemata constitute important structural building blocks used across historical styles and periods. They consist of two or more melodic lines that are combined to form specific successions of intervals. This paper tackles the problem of recognizing voice-leading schemata in polyphonic music. Since schema types and subtypes can be realized in a wide variety of ways on the musical surface, finding schemata in an automated fashion is a challenging task. To perform schema inference we employ a skipgram model that computes schema candidates, which are then classified using a binary classifier on musical features related to pitch and rhythm. This model is evaluated on a novel dataset of schema annotations in Mozart’s pi-ano sonatas produced by expert annotators, which is published alongside this paper. The features are chosen to encode music-theoretically predicted properties of schema instances. We assess the relevance of each feature for the classification task, thus contributing to the theoretical understanding of complex musical objects.
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