女性的醉酒和死亡:宝莱坞和社会中女性酒精和药物消费的意义

Sonia Soans
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摘要

上瘾是一种复杂的情况,宝莱坞对这个问题的处理往往充满了误解和哗众取宠。银幕上的暴力也曾引发了现实生活中针对女性的暴力事件。四部不同年代的宝莱坞电影将使用女权主义理论镜头进行分析。将审查有关妇女成瘾/酗酒的比喻,以及暴力正常化的文化。一个特别的比喻是醉酒的女人,她的身体成为男性性暴力的对象。虽然这种比喻并不仅限于宝莱坞,但它是以一种包含民族主义的特殊方式编码的。逃避现实和治疗纠葛代替情节剧成为传达反对过度行为的一种手段。这个醉酒的女人使人兴奋,但最终她的道德缺失导致了她的垮台。我们有必要问一下,为什么在其他电影选择中,死亡是一种不可避免的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Inebriation and death of women: Making sense of women’s alcohol and drug consumption in Bollywood and society
Addiction is a complex condition, Bollywood’s engagement with the issue is often fraught with misrepresentation and sensationalism. There have been instances where on-screen violence has inspired real-life incidents of violence against women. Four Bollywood films from different decades will be analysed using a feminist theoretical lens. Tropes around women’s addiction/alcoholism will be examined as will the culture in which violence is normalised. One particular trope is that of the intoxicated woman whose body becomes the object of male sexual violence. While this trope is not limited to Bollywood alone, it is however coded in a particular manner that encompasses nationalism. Eschewing reality and therapeutic entanglements in place of melodrama becomes a means to convey a message against excesses. The inebriated woman titillates but ultimately her lack of morality is her downfall. It is pertinent to ask why death is presented as an inevitable possibility amongst other cinematic choices.
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