{"title":"《等待牛仔竞技》中全方位的违法行为","authors":"M. Rocard","doi":"10.3406/ranam.1989.1212","DOIUrl":null,"url":null,"abstract":"Emphasis is laid not upon the Rodeo and its male feats but upon the Carnival attending it. The concept of the Carnival as the place of transgressions of all kinds is thematised in the short story by the rebellion of the female protagonist and of the author, their rejection of all constraints, social and narrative. To the feminist victory won over the magician by his female apprentice corresponds the bright aesthetic performance of the writer, who, unlike the magician, is quite willing to show her public all her ticks.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transgression Tous Azimuts dans «Waiting for the Rodeo» d’Aritha Van Herk\",\"authors\":\"M. Rocard\",\"doi\":\"10.3406/ranam.1989.1212\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Emphasis is laid not upon the Rodeo and its male feats but upon the Carnival attending it. The concept of the Carnival as the place of transgressions of all kinds is thematised in the short story by the rebellion of the female protagonist and of the author, their rejection of all constraints, social and narrative. To the feminist victory won over the magician by his female apprentice corresponds the bright aesthetic performance of the writer, who, unlike the magician, is quite willing to show her public all her ticks.\",\"PeriodicalId\":440534,\"journal\":{\"name\":\"Recherches anglaises et nord-américaines\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Recherches anglaises et nord-américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3406/ranam.1989.1212\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Recherches anglaises et nord-américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/ranam.1989.1212","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Transgression Tous Azimuts dans «Waiting for the Rodeo» d’Aritha Van Herk
Emphasis is laid not upon the Rodeo and its male feats but upon the Carnival attending it. The concept of the Carnival as the place of transgressions of all kinds is thematised in the short story by the rebellion of the female protagonist and of the author, their rejection of all constraints, social and narrative. To the feminist victory won over the magician by his female apprentice corresponds the bright aesthetic performance of the writer, who, unlike the magician, is quite willing to show her public all her ticks.