{"title":"从田野到框架:作物艺术的艺术","authors":"Diana Johnson","doi":"10.1525/GFC.2002.2.2.11","DOIUrl":null,"url":null,"abstract":"The annual seed art competition at the Minnesota State Fair evokes the heritage of an agriculture-based economy. But portraits of middle-American icons rendered in the seeds of Minnesota crops, exemplified\n by the work of old-timer Lilian Colton, rub shoulders with a more contemporary view of Minnesota9s place in society presented by urban crop artists like Cathy Camper.","PeriodicalId":429420,"journal":{"name":"Gastronomica: The Journal of Critical Food Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2002-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Field to Frame: The Fine Art of Crop Art\",\"authors\":\"Diana Johnson\",\"doi\":\"10.1525/GFC.2002.2.2.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The annual seed art competition at the Minnesota State Fair evokes the heritage of an agriculture-based economy. But portraits of middle-American icons rendered in the seeds of Minnesota crops, exemplified\\n by the work of old-timer Lilian Colton, rub shoulders with a more contemporary view of Minnesota9s place in society presented by urban crop artists like Cathy Camper.\",\"PeriodicalId\":429420,\"journal\":{\"name\":\"Gastronomica: The Journal of Critical Food Studies\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2002-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gastronomica: The Journal of Critical Food Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/GFC.2002.2.2.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gastronomica: The Journal of Critical Food Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/GFC.2002.2.2.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The annual seed art competition at the Minnesota State Fair evokes the heritage of an agriculture-based economy. But portraits of middle-American icons rendered in the seeds of Minnesota crops, exemplified
by the work of old-timer Lilian Colton, rub shoulders with a more contemporary view of Minnesota9s place in society presented by urban crop artists like Cathy Camper.
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