{"title":"十八世纪下半叶意大利作曲家的创作作品中的东正教音乐及其在乌克兰作曲家的神圣音乐会中的接待","authors":"O. Shumilina","doi":"10.36059/978-966-397-157-5/183-200","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":426627,"journal":{"name":"CULTURAL AND ARTS STUDIES OF NATIONAL ACADEMY OF CULTURE AND ARTS MANAGEMENT","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ORTHODOX CHURCH MUSIC IN THE CREATIVE WORK OF ITALIAN COMPOSERS OF THE SECOND HALF OF THE XVIII CENTURY AND ITS RECEPTION IN SACRED CONCERTS OF UKRAINIAN COMPOSERS\",\"authors\":\"O. Shumilina\",\"doi\":\"10.36059/978-966-397-157-5/183-200\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":426627,\"journal\":{\"name\":\"CULTURAL AND ARTS STUDIES OF NATIONAL ACADEMY OF CULTURE AND ARTS MANAGEMENT\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CULTURAL AND ARTS STUDIES OF NATIONAL ACADEMY OF CULTURE AND ARTS MANAGEMENT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36059/978-966-397-157-5/183-200\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CULTURAL AND ARTS STUDIES OF NATIONAL ACADEMY OF CULTURE AND ARTS MANAGEMENT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36059/978-966-397-157-5/183-200","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ORTHODOX CHURCH MUSIC IN THE CREATIVE WORK OF ITALIAN COMPOSERS OF THE SECOND HALF OF THE XVIII CENTURY AND ITS RECEPTION IN SACRED CONCERTS OF UKRAINIAN COMPOSERS