坦桑尼亚辛吉达Ikungi的岩石艺术记录与文献

M. Itambu
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引用次数: 0

摘要

尽管过去在坦桑尼亚北部、湖区和中部进行了几个关于岩石艺术的研究项目,但没有一个发现过cupule和gong的特征。此外,这些早期的研究工作并没有从当地人的角度来记录和解释石刻、壶、洞和锣。这项研究试图通过对岩石艺术的全新审视来填补这一空白。调查并记录了辛吉达地区的10个遗址,收集了当地居民的口述。野外工作包括系统的侦察调查,这有助于发现和记录更多不为科学界和当地人所知的岩石艺术遗址。进行了人种学调查,以探索与之相关的社区文化中著名艺术特征的各种含义。虽然邻近的孔多阿岩石艺术遗址被列入联合国教科文组织世界遗产名录,但迄今为止还没有一项研究报道过铜锣和铜锣的岩石雕刻。因此,本研究首次详细报道并讨论了辛吉达地区岩画与雕刻的发生、类型和传播。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rock Art Recording and Documentation in Ikungi, Singida (Tanzania)
Although several research projects on rock art have been conducted in northern Tanzania, the Lake region and central Tanzania in the past, none of them has discovered cupule and gong features. Also, these early research undertakings did not document and interpret the rock engravings, cupules, hollows and gongs from the local people’s perspectives. This study sought to fill that gap through a fresh look at the rock art. It investigated and recorded ten sites in Singida region, and collected oral accounts from the local people. The fieldwork entailed systematic reconnaissance surveys which helped to discover and document more rock art sites that were not known by the scientific community as well as by the locals. Ethnographic inquiries were conducted to explore the varied meanings of the noted artistic features within the culture of the communities associated with them. Although the neighbouring Kondoa rock art sites are on the UNESCO World Heritage List, no single study has hitherto reported cupules and gongs rock engravings. Thus, this research is the first to report and discuss in detail the occurrence, types, and spread of rock paintings together with the engravings of the Singida region.
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