用纺织思维改造时尚表达

Maarit Salolainen, Anna-Mari Leppisaari, K. Niinimäki
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引用次数: 7

摘要

这项研究的重点是芬兰埃斯波阿尔托大学艺术、设计和建筑学院纺织工作室的新时尚教学法的经验。丰富的以实践为基础的研究和熟练使用材料和纺织技术是通过工作室为基础的教学法实现服装设计转型的要素。将纺织品的隐性和触觉知识加入到时尚表达中,构建有效的学习。此外,纺织品设计结合了美学创意和技术技能的元素,这种知识,纺织思维,可以为服装设计奠定新的基础。通过反思性学习,实践导向与理论知识相结合,动手工作室教学法为这种学习方式搭建了平台。时装专业学生的纺织研究延伸到机织织物和提花,以及针织、刺绣、印花和其他整理技术,旨在教授他们有关工业制造的知识,并为他们提供对工业过程和要求的理解。本研究通过观察、教师反思和学生访谈来观察这种通过纺织思维表达时尚的转变过程。此外,学习成果反映了课程的转型,为这一发展过程提供了理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transforming Fashion Expression through Textile Thinking
The focus of this research is on the experiences of a new fashion pedagogy linked to textile studios at Aalto University, School of Arts, Design and Architecture, in Espoo, Finland. Rich practice-based research and skilled use of materials and textile techniques are elements of transforming fashion design implemented through studio-based pedagogy. Effective learning is constructed by adding tacit and haptic knowledge of textiles into fashion expression. Furthermore, while textile design combines elements from aesthetic creativity with technical skills, this knowledge, textile thinking, can form a new grounding for fashion design. Through reflective learning, practically oriented and theoretical knowledge can be combined, and hands-on studio pedagogy has established the platform for this type of learning. Fashion students’ textile studies extend to woven fabrics and jacquards as well as knits, embroideries, prints, and other finishing techniques and aim to teach them about industrial manufacturing and provide them with an understanding of industrial processes and requirements. This research observes this transformation process of fashion expression through textile thinking based on observations, teachers’ reflections, and student interviews. Further, the learning outcomes have been reflected against the transformation of the curriculum to provide understanding for this development process.
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