木偶最懂

L. Levesque, Cécile Rozuel
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引用次数: 0

摘要

这篇文章讲述了创造一个公认的专业学术身份的斗争,并反映了木偶打断这种斗争的重要性,坚持自己的声音,创造性地占据自己的空间。我们的跨学科贡献旨在扩展对学术生活现实的对话,这些现实往往被压制或淡化,如焦虑、自我怀疑、厌倦和失败,对创造性研究实践有影响。我们通过创造性和异想天开的写作风格(例如,人偶对话;诗歌;反思),利用荣格心理学方法对原型符号和想象力的见解,以及涉及讲故事、声音和阈限空间的基于艺术的变革方法。在探索了我们自己作为创造性和反思性的学者实践者的空间开拓经验之后,我们讨论了两个例子,在这些例子中,木偶打破了特定学术环境的现状,并为不同的、更自发的与自我和他人接触的形式提供了机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Puppets Know Best
This article addresses the struggle of crafting a recognized professional scholarly identity, and reflects on the significance of puppets to interrupt this struggle, assert one’s voice, and creatively occupy one’s space. Our interdisciplinary contribution aims to extend conversations on the realities of academic life that are often muted or diluted such as anxiety, self-doubt, weariness and failure, with implications for creative research practices. We engage the aforementioned realities through a mix of creative and whimsical writing styles (e.g., human-puppet dialogues; poetry; reflection), leveraging insights from the Jungian psychological approach to archetypal symbol and the imagination as well as transformative arts-based approaches involving storytelling, voice, and liminal space. After exploring our own experiences carving out space as creative and reflective scholar-practitioners, we discuss two examples where puppets disrupted the status quo of particular academic settings and provided opportunities for different, more spontaneous forms of engagement with the self and with others. 
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