{"title":"基于概率生成模型的音乐相似性和共性估计","authors":"Tomoyasu Nakano, Kazuyoshi Yoshii, Masataka Goto","doi":"10.1142/S1793351X1640002X","DOIUrl":null,"url":null,"abstract":"This paper proposes a novel concept we call musical commonness, which is the similarity of a song to a set of songs, in other words, its typicality. This commonness can be used to retrieve representative songs from a song set (e.g., songs released in the 80s or 90s). Previous research on musical similarity has compared two songs but has not evaluated the similarity of a song to a set of songs. The methods presented here for estimating the similarity and commonness of polyphonic musical audio signals are based on a unified framework of probabilistic generative modeling of four musical elements (vocal timbre, musical timbre, rhythm, and chord progression). To estimate the commonness, we use a generative model trained from a song set instead of estimating musical similarities of all possible song-pairs by using a model trained from each song. In experimental evaluation, we used 3278 popular music songs. Estimated song-pair similarities are comparable to ratings by a musician at the 0.1% significance level for vocal and musical timbre, at the 1% level for rhythm, and the 5% level for chord progression. Results of commonness evaluation show that the higher the musical commonness is, the more similar a song is to songs of a song set.","PeriodicalId":250353,"journal":{"name":"2015 IEEE International Symposium on Multimedia (ISM)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models\",\"authors\":\"Tomoyasu Nakano, Kazuyoshi Yoshii, Masataka Goto\",\"doi\":\"10.1142/S1793351X1640002X\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper proposes a novel concept we call musical commonness, which is the similarity of a song to a set of songs, in other words, its typicality. This commonness can be used to retrieve representative songs from a song set (e.g., songs released in the 80s or 90s). Previous research on musical similarity has compared two songs but has not evaluated the similarity of a song to a set of songs. The methods presented here for estimating the similarity and commonness of polyphonic musical audio signals are based on a unified framework of probabilistic generative modeling of four musical elements (vocal timbre, musical timbre, rhythm, and chord progression). To estimate the commonness, we use a generative model trained from a song set instead of estimating musical similarities of all possible song-pairs by using a model trained from each song. In experimental evaluation, we used 3278 popular music songs. Estimated song-pair similarities are comparable to ratings by a musician at the 0.1% significance level for vocal and musical timbre, at the 1% level for rhythm, and the 5% level for chord progression. Results of commonness evaluation show that the higher the musical commonness is, the more similar a song is to songs of a song set.\",\"PeriodicalId\":250353,\"journal\":{\"name\":\"2015 IEEE International Symposium on Multimedia (ISM)\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2015 IEEE International Symposium on Multimedia (ISM)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1142/S1793351X1640002X\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2015 IEEE International Symposium on Multimedia (ISM)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1142/S1793351X1640002X","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models
This paper proposes a novel concept we call musical commonness, which is the similarity of a song to a set of songs, in other words, its typicality. This commonness can be used to retrieve representative songs from a song set (e.g., songs released in the 80s or 90s). Previous research on musical similarity has compared two songs but has not evaluated the similarity of a song to a set of songs. The methods presented here for estimating the similarity and commonness of polyphonic musical audio signals are based on a unified framework of probabilistic generative modeling of four musical elements (vocal timbre, musical timbre, rhythm, and chord progression). To estimate the commonness, we use a generative model trained from a song set instead of estimating musical similarities of all possible song-pairs by using a model trained from each song. In experimental evaluation, we used 3278 popular music songs. Estimated song-pair similarities are comparable to ratings by a musician at the 0.1% significance level for vocal and musical timbre, at the 1% level for rhythm, and the 5% level for chord progression. Results of commonness evaluation show that the higher the musical commonness is, the more similar a song is to songs of a song set.