{"title":"围墙社会中的银幕性表现:伊朗电影(《五月小姐》)与中国电影(《军医护士》)的比较分析","authors":"Yu-shan Han","doi":"10.3366/edinburgh/9781474477611.003.0011","DOIUrl":null,"url":null,"abstract":"This chapter offers a comparative study of contemporary Iranian and Chinese cinema since the late 1980s from a trans-Asia perspective. Through a close reading of the two films, Han discusses how they situate their protagonists in their respective societies and analyzes the similarities between the two films’ aesthetic approaches in the representation of the sacrificing mother and single motherhood.","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse)\",\"authors\":\"Yu-shan Han\",\"doi\":\"10.3366/edinburgh/9781474477611.003.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter offers a comparative study of contemporary Iranian and Chinese cinema since the late 1980s from a trans-Asia perspective. Through a close reading of the two films, Han discusses how they situate their protagonists in their respective societies and analyzes the similarities between the two films’ aesthetic approaches in the representation of the sacrificing mother and single motherhood.\",\"PeriodicalId\":404586,\"journal\":{\"name\":\"ReFocus: The Films of Rakhshan Banietemad\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Rakhshan Banietemad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474477611.003.0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse)
This chapter offers a comparative study of contemporary Iranian and Chinese cinema since the late 1980s from a trans-Asia perspective. Through a close reading of the two films, Han discusses how they situate their protagonists in their respective societies and analyzes the similarities between the two films’ aesthetic approaches in the representation of the sacrificing mother and single motherhood.
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