{"title":"热带炼狱:斯蒂芬·茨威格和伊丽莎白·毕晓普镜头下的巴西","authors":"Fabio Camarneiro","doi":"10.31009/CC.2021.V9.I16.05","DOIUrl":null,"url":null,"abstract":"Writers Stefan Zweig and Elizabeth Bishop both lived in Brazil, although in very different circumstances. Their stories served as basis for two films: Maria Schrader’s Stefan Zweig: Farewell to Europe (Vor der Morgenröte, 2016), and Bruno Barreto’s Reaching for the Moon (Flores raras, 2013). This article aims to describe the differences between these two films, and how they can be connected to Brazilian authors such as Gilberto Freyre and Sérgio Buarque de Holanda, whose works attempt to understand Brazil’s social dynamics from the perspective of its violent colonial past. Furthermore, this article aims to question the connections between historical accuracy and political engagement, arguing that the general tone of a film narrative may sometimes be much more politically-oriented than the actual facts it portrays.","PeriodicalId":414949,"journal":{"name":"Comparative Cinema","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Tropical Purgatory: Brazil Through the Lenses of Stefan Zweig and Elizabeth Bishop\",\"authors\":\"Fabio Camarneiro\",\"doi\":\"10.31009/CC.2021.V9.I16.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Writers Stefan Zweig and Elizabeth Bishop both lived in Brazil, although in very different circumstances. Their stories served as basis for two films: Maria Schrader’s Stefan Zweig: Farewell to Europe (Vor der Morgenröte, 2016), and Bruno Barreto’s Reaching for the Moon (Flores raras, 2013). This article aims to describe the differences between these two films, and how they can be connected to Brazilian authors such as Gilberto Freyre and Sérgio Buarque de Holanda, whose works attempt to understand Brazil’s social dynamics from the perspective of its violent colonial past. Furthermore, this article aims to question the connections between historical accuracy and political engagement, arguing that the general tone of a film narrative may sometimes be much more politically-oriented than the actual facts it portrays.\",\"PeriodicalId\":414949,\"journal\":{\"name\":\"Comparative Cinema\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31009/CC.2021.V9.I16.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31009/CC.2021.V9.I16.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
作家斯蒂芬·茨威格和伊丽莎白·毕晓普都曾在巴西生活过,尽管他们所处的环境截然不同。他们的故事成为两部电影的基础:玛丽亚·施拉德的《斯蒂芬·茨威格:告别欧洲》(Vor der Morgenröte, 2016)和布鲁诺·巴雷托的《登月》(Flores raras, 2013)。本文旨在描述这两部电影之间的差异,以及它们如何与巴西作家(如Gilberto Freyre和ssamrgio Buarque de Holanda)联系起来,他们的作品试图从其暴力殖民历史的角度了解巴西的社会动态。此外,本文旨在质疑历史准确性与政治参与之间的联系,认为电影叙事的总体基调有时可能比它所描绘的实际事实更具政治导向。
Tropical Purgatory: Brazil Through the Lenses of Stefan Zweig and Elizabeth Bishop
Writers Stefan Zweig and Elizabeth Bishop both lived in Brazil, although in very different circumstances. Their stories served as basis for two films: Maria Schrader’s Stefan Zweig: Farewell to Europe (Vor der Morgenröte, 2016), and Bruno Barreto’s Reaching for the Moon (Flores raras, 2013). This article aims to describe the differences between these two films, and how they can be connected to Brazilian authors such as Gilberto Freyre and Sérgio Buarque de Holanda, whose works attempt to understand Brazil’s social dynamics from the perspective of its violent colonial past. Furthermore, this article aims to question the connections between historical accuracy and political engagement, arguing that the general tone of a film narrative may sometimes be much more politically-oriented than the actual facts it portrays.