想象一下网络空间中的旁遮普

A. Roy, Tba
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引用次数: 0

摘要

通过研究旁遮普加拿大侨民的文化实践,包括电影等视觉艺术,以及音乐和舞蹈等表演类型,我将在社区中追踪归属感的多种模式,这些模式表征了与其他加拿大群体的接触,同时保持了与旁遮普家园的文化连续性。我将把多种物品与旅行和通讯技术的进步联系起来。通过我在英语和印度教旁遮普的专业定位,我将扩展到后殖民和后现代理论,将散居作为一个结构来解构。我建议将旁遮普流散视为一种民族空间综合体,而不是一种社会形式(区域研究)或一种意识类型(流散理论)。通过追踪旁遮普共有的民族空间记忆,我认为将锡克教之路从旁遮普文化中分离出来,可以在对世界各地印度宗教散居者的想象中,为宗教与文化的批判性分离开辟道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Imagining Apna Panjab in Cyberspace
Through examining the cultural practices of the Punjabi Canadian diaspora, including visual arts like film, and performing genres like music and dance, I shall trace multiple patterns of belonging among the community that characterize its engagement with other Canadian groups while retaining cultural continuity with the Punjabi homeland. I shall link multiple belongings to advancement in travel and communication technologies. Through my disciplinary location in English and personal in Hindu Punjabi, I will fan out to postcolonial and postmodern theory to deconstruct the diaspora as a construct. I suggest that Punjabi diaspora be viewed as an ethno-spatial complexrather than a social form(Area Studies) or a type of consciousness(Diaspora theory). By tracing the shared Punjabi ethno-spatial memory, I argue that disjoining the Sikh path from Punjabi culture can open the way to the critical disengagement of religion from culture in the imagining of Indian religious diasporas around the world.
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