简介:集体灵魂的炼金术:西庇阿·西格勒的罪行与惩罚

N. Pireddu
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引用次数: 0

摘要

上帝,到达平行宇宙的乌托邦,他发现自己在一个“幸运的世界”,那里“没有人群”(Men 285)。如果对震惊的地球人来说,这种幸运的发现构成了这个比他早几千年的文明的最不寻常的特征,它也引发了与他自己的社会的比较,那个“唉,仍然是人群的世界,是一群没有特征的、受感染的人的可憎的爬行世界”(285)。在《乌托邦》中,这些无定形的集体只有通过保存在历史博物馆里的电影和照片才能存活下来,对它们的蔑视可以用巴恩斯特普尔对年轻的乌托邦主义者克里斯托(Crystal)激动的解释来概括:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: Alchemies of the Collective Soul: Scipio Sighele’s Crimes and Punishments
God, arrives in the parallel universe of Utopia, he finds himself in a “fortunate world” where “there is no Crowd” (Men 285). If for the stunned Earthling such felicitous discovery constitutes the most extraordinary feature of this civilization many thousand years ahead of his, it also triggers a comparison with his own society, which “alas still is, the world of the Crowd, the world of that detestable crawling mass of un-featured, infected human beings” (285). The contempt for these amorphous collectivities that in Utopia only survive through film and photographs preserved in history museums is summarized by Barnstaple’s agitated explanation to Crystal, a young Utopian:
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