在a.fet及其同时代人的歌词中多感官组成的诗学

L.E.  Lyapina
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引用次数: 0

摘要

本文对19世纪抒情诗中的多感官作曲进行了研究,并着重分析了费特作为抒情诗作者在这方面的特点和作用。他作品的诗学表现出对各种感官模式的系统兴趣,这些感官模式的互文关联产生了特殊的情节结构。Fet继承了莱蒙托夫(Lermontov)、touch (F. touch)等人的概念,推动了未来包括Ya在内的多感官的发展。波隆斯基和A.迈科夫是同时期的诗人,他们各自发展了自己的审美优势,即与各自的自然想象系统相对应的多感官情节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE POETICS OF POLYSENSORY COMPOSITIONS IN THE LYRICS OF A.FET AND HIS CONTEMPORARIES
The article is devoted to the study of polysensory compositions in the lyrics of the 19th century, highlighting the features and role of Fet as the lyricist in this regard. The poetics of his works demonstrates a systematic interest in a variety of sensory modes, the intertextual correlation of which generates a special structure of the plot. Inheriting the conceptions of M. Lermontov, F. Touché and others, Fet gives impetus to the development of polysensory in the future, including Ya. Polonsky and A. Maikov among the poets of his generation, each developing their own aesthetic dominant of polysensory plots corresponding to the nature imaginative system of each.
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