壳体:跨文化软体动物的创意机构

A. Grasskamp
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引用次数: 0

摘要

在近代早期的中国和欧洲,造壳生物在设计和建造原始建筑几何形状的能力上被认为与人类相似。同样,鸟类从贝壳中孵化的图像在两种文化的资料中都占有显著地位,使人联想到贝壳和蛋壳、自己建造房屋的软体动物和自己筑巢的鸟类。本章考虑了软体动物在欧亚思想、艺术和物质文化中所反映的创造性代理,将贝壳概念化为“聪明”的物体,为跨文化的手工和科学实践提供了信息。在将珍珠的产生归因于具有女性特征的软体动物的跨文化叙述的背景下,本章提供了对早期现代欧亚大陆贝壳物质代理的共同生态学理解的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shell Bodies: The Creative Agency of Molluscs across Cultures
In early modern China and Europe, shell-building organisms were considered human-like in their abilities to design and construct proto-architectural geometric shapes. Likewise, images of birds hatching from shells feature prominently in sources from both cultures, evoking associations between shells and eggshells, molluscs that craft their own houses and birds that build their own nests. This chapter considers the creative agency of molluscs as reflected in Eurasian thought, art, and material culture, conceptualizing shells as ‘clever’ objects that informed artisanal and scientific practices across cultures. Against the background of transcultural narratives on the generation of pearls that attribute molluscs with female features, the chapter presents evidence of a shared ecological understanding of the material agency of shells across early modern Eurasia.
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