Irina Kropyvko
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引用次数: 0

摘要

后现代主义对另一种语言文本(作品、体裁、时间)的文体风格缺乏评价方向,只是一种概念和文体手段。本文旨在界定波兰和乌克兰作家后现代文本中作为艺术手法的风格特征。它们造型的特殊性与作者对艺术和非小说类型的吸引力有关,这些类型是其文本的正式独创性的来源。乌克兰和波兰文学表现出文本结构部分之间的数量联系,作为信息系统的超主观世界对文学作品概念的影响的表现。非人格化突出了文学文本创作缺乏创造性作家的发明创造,似乎在计算机文本上造成了统一的电子信号或程式化的叙事幻觉。类似音乐体裁的文本通过使用图形方式来显示停顿,形成碎片碎片的特定节奏模式。文本的平面设计和结构包含在其整体概念中,这是由当前趋势驱动的,例如后现代人的具体生活以及不同类型活动(信息,文学和艺术表演)之间边界的破坏。造型作为后现代文学文本的“影像技术”,调整文本以适应部分读者的口味,或决定文本形式概念的原创性,从而提高文本的“消费”品质,以满足现代读者对文本的苛求期望。这些例子只是作者尝试文本结构和设计的一部分,这些选择植根于全球化进程扭曲的我们的现实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Стилізація в українській і польській літературі постмодернізму
Postmodern styling of text in another language (work, genre, time) lacks the assessment direction and is used as a conceptual and stylistic device. The article aims to define the styling features as the art-techniqe in postmodern texts of Polish and Ukrainian writers. The specificity of styling them is connected with the appeal of authors to artistic and non-fiction genres as the sources of formal originality of their texts. Ukrainian and Polish literature show quantitative connection between the structural parts of the text as the manifestation of the impact of the beyond-subjective world of information systems on a literary work concept. Impersonality highlights the lackof creative writer’s invention to literary text composing and appears to create the narrative illusion of uniform electronic signals or stylization on a computer text. A text resembling music genres forms a specific rhythmic pattern of fragmented pieces through the use of graphical ways to display pauses. Graphic design and structuring of the text are included in its overall concept, which is driven by current trends, such as specific life of the postmodern man and the destruction of boundaries between different types of activities (information, literary and artistic performance). Styling as the “image technology” of postmodern literary text adjusts it to some readers' tastes and / or determines the originality of its formal concept to improve its “consumer” qualityin order to meet the demanding modern reader’s expectations. These examples represent only a part of the author's choices experimenting with the structure of the text and its design, which is rooted in our reality distorted by globalization processes.
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