流放后的诗学传统

S. Gillingham
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引用次数: 0

摘要

本章考察了六本诗歌书籍,在礼仪诗歌(诗篇,哀歌),戏剧诗歌(约伯记,歌)和说教诗歌(箴言,传道书)的标题下。首先,它评估了所有圣经诗歌在风格和形式结构方面的特点,其次,将这六本书归为流放后作品的原因。然后详细讨论每本书。特别关注的是它们的诗歌风格和结构,它们作为一个整体的汇编,以及它们的接收历史:后者尤其证明了一种持续的“表演”潜力,无论是在犹太教堂、教堂、教室、剧院、音乐厅,还是作为一件艺术品。这一章的结论是,每本书都有一些共同的诗歌特征,但真正将它们联系在一起的是它们脱离了任何单一的空间或时间背景,作为文学,每本书都是“永恒的”,因此在使用上是“普遍的”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Postexilic Poetic Traditions in the Writings
This chapter examines six poetic books, under the headings of liturgical poetry (Psalms, Lamentations), dramatic poetry (Job, Song), and didactic poetry (Proverbs, Ecclesiastes). It assesses, first, the particular features of all biblical poetry, in terms of style and formal structures, and, second, the reasons for ascribing these six books as postexilic works. Each book is then discussed in detail. Particular attention is paid to their poetic style and structures, to their compilation as a whole, and to their reception history: the latter in particular testifies to an ongoing “performative” potential, whether for the synagogue, church, classroom, theatre, concert hall, or as a work of art. The chapter concludes that each book shares several poetic features in common, but what really unites them is their detachment from any single spatial or temporal setting, each being “timeless” as literature and so “universal” in use.
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