阿瑟·米勒悲剧的心理层面与社会学约束的综合

M. Turku
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引用次数: 0

摘要

本文分析了其人物所处的社会现实主义与心理因素的融合。本文着重分析了小说中人物的内心冲突,并指出了米勒运用的文学手法使小说栩栩如生。米勒的戏剧体现了弗洛伊德的人类心理本质观和父子冲突,这在他最成功的作品中都有体现。这些冲突在《坩埚》、《我所有的儿子》、《一个专员之死》、《桥上的景色》、《堕落之后》和《从摩根山下来》中都很明显。在这种冲突不是主要冲突的戏剧中,它是其他内心冲突滋生的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Synthesis of Psychological Aspects with the Sociological Constrains in Arthur Miller Tragedies
This paper analyses the amalgam of psychological elements with the social realism where his characters are placed. The paper focuses on the inner conflicts of the characters and points out the literary devices that Miller uses to bring to life. Miller’s drama embodies the Freudian concept of human psychological nature and the father-son conflict which is present at his most successful works. These conflicts are evident in "The Crucible," "All My Sons," "The Death of a Commissioner," "View from the Bridge," "After the Fall," and "Descent from Mount Morgan.” In the plays where this conflict is not the primary conflict, it serves as a bases where other inner conflicts are grown.
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