关于流行病的小说和电影中的二元性

Evelina Miščin, Paula Pufek
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引用次数: 1

摘要

长期以来,文学和电影都在处理一种疾病的爆发。这篇论文将处理病毒的隐喻方面,特别是在今天的大流行的观点。首先,对这类小说和电影的简要概述将从丹尼尔·笛福和他的《瘟疫年日记》以及《十二猴子》、《传染病》、《爆发》等电影开始。重点不是病毒本身,而是它的隐喻意义以及小说和电影中的双重性,例如善与恶、秩序与混乱。本文将主要关注斯蒂芬·金的小说《Stand》和电影《十二猴子》。将它们联系起来的主要思想将是病毒作为隐喻,人类的终结,以及善与恶之间永恒的斗争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Duality in novels and films about pandemics
Both literature and films have been dealing with a disease outbreak for a long time. This paper will deal with the metaphorical aspect of viruses especially in the view of today’s pandemics. First, a brief overview of such novels and films will be given starting with Daniel Defoe and his A Journal of the Plague Year and films such as Twelve Monkeys, Contagion, Outbreak. The emphasis will not be on the virus itself but on its metaphorical meaning and the duality in novels and films – e.g. between good and evil, order and chaos. The paper will mostly focus on the novels The Stand by Stephen King, and the film Twelve Monkeys. The main idea which connects them all would be a virus as a metaphor, the end of humanity, and everlasting fight between good and evil.
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