立体显示器中图像视差、会聚距离和焦距对感知质量的影响

W. IJsselsteijn, de H Huib Ridder, R. Hamberg
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引用次数: 1

摘要

在广播和娱乐领域,立体显示器被用来提高观众的兴奋感和质量。为了评估这些主观体验,一种以欣赏为导向的方法可能是合适的。在此背景下,本研究探讨了像差、收敛距离和焦距对深度主观评价、深度自然度和深度质量的影响。12名观察者观看了一组视差、会聚距离和焦距不同的立体静止图像。每个观察者被要求在单独的平衡环节中对深度、深度的自然度和深度的质量进行评价。结果表明,观察者更喜欢立体呈现的图像,而不是单镜呈现。对于自然性和质量的主观判断,在4 em图像差异下发现了一个明显的最佳值。焦距效应只在极端的图像差异中被发现。虽然自然度和质量之间存在很强的线性关系(相关r= 0.96),但可以观察到一个小但系统的偏差。这种质量-自然性的转变与色彩感知领域的类似但更明显的发现有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The effect of image disparity, convergence distance and focal length on perceived quality in stereoscopic displays
Within the area of broadcasting and entertainment, stereoscopic displays are used to heighten the viewer's sense of excitement and qual ity. To evaluate these subjective experiences, an appreciation-oriented approach may be appropriate. Within this context, the current study investigates the influence of image disparity, convergence distance and focal length on the subjective assessment of depth, naturalness of depth and quality of depth. Twelve observers viewed a set of stereoscopic still images varying in image disparity, convergence distance and focal length. Each observer was asked to rate his/her impression of depth, naturalness of depth and quality of depth, in separate counterbalanced sessions. Results indicate that observers prefer a stereoscopic presentation of images over a monoscopic presentation. A clear optimum was found at 4 em image disparity for both subjective judgments of naturalness and of quality. A focal length effect was only found for extreme image disparities. Although there was a strong linear relationship between naturalness and quality (a correlation of r=O.96), a small but systematic deviation could be observed. This quality-naturalness shift is discussed in relation to similar, yet more pronounced findings in the domain of colour perception.
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